Tag Archives: people

Mural, Midtown Manhattan

Mural, Midtown Manhattan
Pedestrians work in front of a building featuring a colorful OKUDART mural in midtown Manhattan.

Mural, Midtown Manhattan. © Copyright 2022 G Dan Mitchell.

Pedestrians work in front of a building featuring a colorful OKUDART mural in midtown Manhattan.

Something fun to share today — a photograph of this spectacular mural-covered building in Midtown Manhattan, featuring the work of Spanish artist Okuda. It isn’t unusual for me to (selectively) include street art in my street photographs, especially when the work is interesting and fits into the larger street landscape. On the other hand, it sometimes feels a little odd to feature someone else’s art in my own photographic work. In this case, I think it is as much about an aspect of New York City as anything else… so I’m going with it.

I was initially photographing most people (and to a lesser extent buildings) as we walked around Manhattan this past August. I made several other photographs of people, often in crosswalks, as we passed through this area. But this building is so striking that I made a couple of exposures of it as I passed by. One thing leads to another, and later I looked up the building and the artist and discovered that Okuda has work all over the world.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Family

A Family
A passing family group on the street in Manhattan.

A Family. © Copyright 2022 G Dan Mitchell.

A passing family group on the street in Manhattan.

As scheduled, it is back to more street photography today. This photograph comes from our late-August visit to Manhattan, which provided us with opportunities to simply go out on walks and observe/absorb the Manhattan vibe. That is, of course, a complex thing, being composed of lots of people, lots of motion, the urban canyons, occasional bits of quiet and stillness, and a lot of things that happen quickly and are gone. The latter, of course, is part of the appeal of street photography.

I recommend urban and street photography to all photographers, including those of you who like think of yourselves and landscape or nature photographers. As a general thing, I think it is good for you and for your photography to step outside your primary genre and to be aware of good photographic work done with subjects quite different than your own. On a very practical level, shooting street forces you to see, think, and react really quickly. Quite often subjects coalesce and disappear in seconds or even fractions of seconds. You don’t have much time to carefully consider, so you work on the basis of instinct. And that is a useful skill to develop, even if you usually work at a more sedate pace. Street also reminds us of how we make photographs of things that we don’t have time to fully evaluate or understand. For example, while I call this photograph “A Family,” I can’t know that it is a family group. And while I might make be tempted to make other assumptions about this trio… I have no way at all of knowing whether I’m right or wrong. It is better, I think, to just ask questions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Photograph Exposed: Je Suis Bleu

Je Suis Bleu, Paris
“Je Suis Bleu” — Sidewalk, graffiti covered wall, and women (virtual and real) on a Paris street

Much of my photography is in landscape and nature genres, but my work also includes other genres. For example, I am very enthusiastic about street and travel photography. I am going to use this photograph to explore that aspect of my photography and to share some background about this image and how it came about.

I made the photograph during a visit to Paris a few years ago, on a day when we spent time in Le Marais. There’s a lot going on in this popular part of Paris. There’s plenty of tourist stuff nearby — the Cathedral of Notre Dame is just a few blocks away and the Latin Quarter not far beyond. But walking in the opposite direction takes you into an older area of Paris, with narrow, twisting streets, old buildings, and a lot of character.

We explored without relying on written or human guides, preferring to wander and discover. Photography was on my mind, and I made several other photographs in this area where the light is often lovely, the streets are narrow, and the buildings and people fascinating.

Person, Wall, Le Marais
“Person, Wall, Le Marais” — A person in colorful clothing checks her phone next to and old wall in Le Marais, Paris
Sidewalk Art, Le Marais
“Sidewalk Art, Le Marais” — Art presented sale for along a sidewalk in Le Marais, Paris

Street photography

A lot of street photography is done quickly and spontaneously, and I always work with a small, handheld camera, usually with a small prime lens. There are many reasons for this camera/lens choice, but one is that this gear doesn’t read as ‘tourist with big camera.” People mostly ignore me in the street, and when they do see the little camera they often seem not to think that I’m a “serious photographer.”

Continue reading A Photograph Exposed: Je Suis Bleu

Two pedestrians, Sidewalk and Buildings

Two Pedestrians, Sidewalk and Buildings
Two pedestrians stroll past buildings in Le Marais, Paris.

Two Pedestrians, Sidewalk and Buildings. © Copyright 2022 G Dan Mitchell.

Two pedestrians stroll past buildings in Le Marais, Paris.

I went back and forth on whether this should be a color or a black and white photograph. (We’re so lucky today that we can make this kind of choice after pressing the shutter release!) In the end, everything about the scene seemed to me to call for monochrome… though I did have to give up the colors of the flowers growing in the row of window boxes.

I think this is one of those “photographs of nothing special” that evokes the feeling of the place. I have nothing at all against specialness in a photograph — it is often something to strive for! — but that can give us a less than true sense of the subject. This photograph is also an example of how being ready to “capture” a fleeting moment is so important in street photography… and, for that matter, in many other sorts of photography too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

right 2022 G Dan Mitchell.