Tag Archives: photo

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Black Oak, Meadow, Autumn

November 8, 2013 G Dan Mitchell Leave a comment

A backlit black oak tree with autumn foliage stands in a meadow below Sentinel Rocks, Yosemite Valley

This black oak, like so many in Yosemite Valley, stands in a large grassy meadow. Although the autumn foliage of these trees may seem less spectacularly colorful than that of the big leaf maples and the cottonwoods, the black oak has a more subtle beauty in the fall. But when lit from behind, early or late in the day when the sun is low, the color of black oak leaves can be surprisingly intense. Off all the fall colors in the Valley, in some ways the combination of that of these oaks and the grasses of the meadows where they are found seems to most strongly speak of fall to me.

This single tree is in a meadow filled with black oaks. I would not be surprised to find that there are 100 of them here. On this afternoon I had gone to the meadow to photograph something different, a group of small cottonwood trees growing near the bank of the Merced River. Finishing that project, I was about to start back toward my car when I noticed that a short-lived beam of direct sun was coming down from an opening in the upper cliff walls and spotlighting this tree. Naturally, I changed my plans, took a little detour, and spent a few minutes with this tree.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Autumn Afternoon, Merced River Cottonwood Trees

November 7, 2013 G Dan Mitchell Leave a comment

Hazy autumn afternoon light on golden cottonwood trees growing along the banks of the Merced River, Yosemite Valley

As I try to do every fall, I visited Yosemite Valley for a few days right at the end of October so that I could photograph fall color and other seasonal subjects. I typically target my visits for near the end of the last week of the month, since at about this time the cottonwood, big leaf maple, black oak, and dogwood trees can produce beautiful colors and the meadows turn wonderful shades of tan and brown and gold. There are other benefits to visiting at this time of year, too – far fewer people, cooler temperatures, availability of campsites, and I often run into friends and other interesting people in the Valley.

I’m a big fan of backlit trees, and I have shot in this area of meadows and cottonwood trees and river bank many times before. In the afternoon the light begins to come into the valley from the low sun in the west and while trees can be backlit, some of the granite cliffs are already in shadow. If there is a bit of atmospheric haze, I like it even more! On this afternoon I decided to poke around along the banks of the Merced in this area where it flows through a series of bends among meadows and forest – and there were backlit cottonwood trees galore to work with!

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature, Photographs: Northern California

Sagebrush and Aspens

November 6, 2013 G Dan Mitchell Leave a comment

Sparse, colorful aspen trees in the high sagebrush country east of the Sierra Nevada.

Back in October I made my annual trek to the east side of the Sierra Nevada to photograph autumn subjects, including but not limited to aspen trees in their fall colors. As often happens at this time of the year, we encountered a wide range of conditions ranging from beautiful sunny days to one day on which it snowed the entire time as we drove over the crest and down highway 395. Overall, this turned out to be a fine year for aspen color, though it was not exactly a typical year. The color came a bit early and seemed to change quickly in a number of areas. Even though many of us were concerned that the past two years of California drought – perhaps combined with the effects of global climate changes – might have reduced the colors, in the end the effect was simply to change the timing a bit. (And long time aspen photographers know that, in a sense, there really is no such thing as a “typical season” for aspen color.)

The final day of our five-day visit was a diverse one, and it took us to a range of quite different locations. It started in Mammoth Lakes, where we were surprised to find that it was snowing lightly when we left our motel in the pre-dawn darkness and headed out into Long Valley. After stopping there to photograph the morning snow flurries along the eastern Sierra, we continued to the east and drove all the way to Benton before turning around and heading back toward Mono Lake, investigating the interesting fall color in this less-visited area. As we reached highway 395 again we found that the snow was continuing to fall along the eastern escarpment here, too. We stopped in Lee Vining for a (very) late breakfast and decided to continue on to the north. After a stop to photograph the vast stands of aspens on the summit north of Lee Vining, it looked like the weather might be photographically interesting out toward Bodie, so we headed that direction. I photographed this little high desert valley with its small stands of autumn aspens momentarily illuminated as cloud shadows raced across the landscape. Mono Lake and the surrounding mountains are visible in the distance.

Night Photography, Photographs: Architecture, Photographs: Night, Photographs: Structures and Objects, Photographs: Urban/Street

Five Night Photographs from Mare Island

November 5, 2013 G Dan Mitchell 5 Comments

I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.

A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard

This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.

Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard

I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.

A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard

There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.

Metal wall with white doors, window, and Reserved Parking sign

The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.

White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance

This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.

G Dan Mitchell Photography

Tag Archives: photo

Black Oak, Meadow, Autumn

Autumn Afternoon, Merced River Cottonwood Trees

Sagebrush and Aspens

Five Night Photographs from Mare Island

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.