Tag Archives: point

Sea Stacks, Rocky Point

Sea Stacks, Rocky Point - Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.
Sea Stacks, Rocky Point - Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.

Sea Stacks, Rocky Point. Big Sur Coast, California. December 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Sea stacks dot the rugged Big Sur coastline at Rocky Point in evening light.

Continuing with the theme of evening light on the Big Sur coastline, I made this photograph along a favorite section of this portion of the California coast not long before sunset. (I left enough time after photographing this scene to drive back up the coast to more or less the small road-cut just visible in the upper right corner of the frame, from which I made another photograph shooting back into a large cove that is out of the range of this photograph to the right.) At this time, perhaps a half hour or so before sunset, the color of the light was warming and intensifying but had not yet reached that obviously red stage that comes right at and right after actual sunset.

The peninsula in the upper part of the photograph is known as Rocky Point and, among other things, is a spot many may know because of a restaurant perched there above these stunning views of the Pacific coast. (I hear it is pricey!) My camera position was at a pull-out along the Pacific Coast Highway at a spot where the road rises to pass around another bit of land that extends to the west, and this high camera position let me aim the camera down to minimize the sky and fill the frame with the ocean, the rocky sea stacks and cliffs, and the “point” itself. With the main variable being the unpredictable patterns in the surf, I made a series of exposures at what I thought might be likely moments and then selected from among them in post. I like the series of diagonal lines in the foreground surf and the way the low sun picks off the tops of the waves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocky Creek Bridge, Sunset

Rocky Creek Bridge, Sunset - Sunset light illuminates the Rocky Creek Bridge, winter surf, a natural arch, and a rugged section of the Big Sur coastline.
Rocky Creek Bridge, Sunset - Sunset light illuminates the Rocky Creek Bridge, winter surf, a natural arch, and a rugged section of the Big Sur coastline.

Rocky Creek Bridge, Sunset. Big Sur Coast, California. December 18. 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Sunset light illuminates the Rocky Creek Bridge, winter surf, a natural arch, and a rugged section of the Big Sur coastline.

This is, for me, essentially the prototypical Big Sur coastline photograph. The Rocky Creek bridge spans, not surprisingly, the canyon holding Rocky Creek, located in a bay not far from the well-known Rocky Point south of Carmel, California along the coast highway. This little scene holds most of the elements that we identify with this area: the old coast highway bridge with its curving support structures, turbulent surf, headlands and bluffs, a small beach, steep cliffs dropping into the ocean, and sea stacks, rocky islands, and natural arches.

I have photographed almost this exact same scene many times, but with the variables of season, weather, light, and surf I keep coming back. I have several black and white photographs of the scene that are among my favorites, but I have been trying to get a color photograph for some time. It turns out to be a bit trickier than it might seem. I wanted sun, but not too much sun. In the wrong light, the colors in the scene can be difficult with a lot of neutral gray, brown and dark greens. In the morning the light comes from behind the bridge, in the midday hours the light (when it isn’t foggy!) can be overly harsh, and in the evening fog and offshore clouds can interrupt the light.

On this visit to the Monterey Peninsula area I had several opportunities to photograph this spot in mostly clear weather and near sunset when the light comes from the right side and takes on the warmer, saturated “golden hour” quality. I shot it on two evenings. On one the light went flat too quickly when the sun dropped behind clouds parked well off shore. The same thing almost happened on this evening and, in fact, shortly after I made this exposure the light went flat. But before that happened I got a few moments of this beautiful, warm, low angle light coming from the sun as it dropped toward the horizon and lit up the bridge and portions of the rocky terrain.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Three Harbor Seals

Three Harbor Seals
Three Harbor Seals

Three Harbor Seals. Point Lobos State Reserve, California. April 26, 2009. © Copyright 2011 G Dan Mitchell – all rights reserved.

Three harbor seals resting on a rock at Point Lobos State Reserve, California.

This is a photograph from a couple years back, made on one of my frequent visits to Point Lobos. If I recall correctly, there were two reasons that I focuses on these creatures on this visit: there were lots of them, and the light was less than wonderful for landscape/seascape photography!

During certain times of the year, it isn’t hard at all to find these large seals near the shoreline at Point Lobos and in many other locations along the coast. At Point Lobos you can often see them swimming around the kelp beds, with their large heads occasionally poking up from the water. They also spend time on some the half-submerged rocks near the shoreline (as this group is doing) or even hauled out on some of the more secluded beaches and coves.

When I first started photographing them seriously I was surprised to find that they pay attention to humans – sometimes a lot of attention. Sometimes it seems that they are regarding me as carefully as I am watching them! Note that two of the seals are staring straight up at my position in this photograph. This habit gives them the appearance of being very attentive creatures and suggests, to me at least, a degree of intelligence and self-possession.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Detail, Red Cathedral

Detail, Red Cathedral
Detail, Red Cathedral

Detail, Red Cathedral. Death Valley National Park, California. March 30, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

The eroded and fluted face of the Red Cathedral, Zabriski Point, Death Valley National Park.

I have recently posted other photographs made in the area of Zabriskie Point in Death Valley, including one other of this feature sometimes known as the Red Cathedral. It stands to the right of the more famous and recognizable parts of the Zabriskie Point Landscape where, for example, Manley Beacon is one of the most well-known visual icons in the park.

This detail photograph was made using a long lens very shortly after the first morning light had arrived on this feature. In my experience, getting good light on Red Cathedral can be a tricky thing. Parts of it face away from the sun and towards Death Valley and because its face is deeply fluted it can be tricky avoiding blocked shadows. But increasing exposure too much creates problems with saturated colors on the brightest strata that cut through its face. If you shoot it in the morning, light somewhat softened by some high clouds can be helpful, and that is what I had on this morning – the sun light is direct, but it is also filtered a bit by passing through broken clouds to the east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.