Tag Archives: pond

Salt Pond

Salt Pond
“Salt Pond” — A salt pond and surrounding playa terrain near Lake Manly.

Lake Manly is not the only body of water on the Death Valley playa during this unusually wet year. That lake occupies the lowest area near Badwater, but there is a lot of water in other locations up and down the valley. I photographed this pond from Damte’s View, high in the Black Mountains. I was there before dawn, but I made this photograph much later when the early shadows had retreated back across the valley and the playa was in sunshine.

The water and the bright morning light reveal a lot of details on the playa. Not only do we see the pond, but we can see the submerged salt formations around its edge. There are channels and waterways everywhere on the playa, in comes cases separated by slightly higher bits of land where sandstorm dust has collected. At the very lower edge in this photograph we see fans spilling down from the base of the mountains and sending gravel toward the playa’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Playa and Shadowed Ridge

Playa and Shadowed Ridge
“Playa and Shadowed Ridge” — Morning sunlight on the playa of Death Valley beyond a nearby shadowed ridge.

On one hand, this is an interesting record of something you can see in high places above Death Valley following a very wet season. On the other hand, there are several stories behind this photograph. It was morning, and I had arrived at this high overlook before dawn. Eventually the shadows of the mountains upon which I stood retreated across the valley towards me, leaving the playa in sun. At the moment that I made this exposure, there was just a small stub of the mountain shadow still in the valley, yet the jagged ridge just below me was still in dark shade.

Far below, there was a lot of water on the desert playa, much more than usual. Heavy rains during recent months had flooded a large section of the valley, and here a large pond is visible among the deposits that spread across the playa. A twisting, meandering stream leads to it. Farther out on the playa there are more channels — this landscape that we think of as being arid and hot was, on this day, full of water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Sunrise Trees

There are birds in this photograph, but it is really (mostly) about these sunrise trees. I went to this spot early this winter morning because it has been a reliable place to find sandhill cranes as they fly out in the morning. There were cranes, though not that many. But as I waited for them the nearby fog began to thin, and the light of the rising sun turning eastern clouds blood-red illuminated the trees with intensely colorful light.

This photograph is in a category that I sometimes think of as “unreal light” images. We all understand that photographs are not objectively accurate “recordings” of the real world. They are subjective, personal views of how the photographer sees things. An aspect of this is that we “work” the colors in photographs in pleasing ways… and sometimes they get worked to excess, producing unbelievable results. Against that background, when nature produces such intense and saturated light, it is easy to chalk it up to something the photographer did. Sometimes that’s the case — but not here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Winter Sunrise Reflections

This is another photograph in the (very!) “not pastel” series, contrasting with some of the subtler winter photographs I have shared this winter. It was a very intense sunrise — as another photographer there said, it was almost too intense. I arrived before sunrise, and the cloud shield from a weather front approaching from the west extended over and past me toward the sunrise. This left the eastern sky quite bright, and the edge of the clouds glowed in morning light.

The view looks toward the Sierra Nevada from the Central Valley. While the fog and haze in the valley often obscure the range, in clearer conditions you can see virtually all of it along the eastern horizon. This gives a sense of the scale of these mountains, and the fact that we see light in the sky beyond them reinforces the extraordinary distances that are in view.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.