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Resistenza

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Resistenza
A weathered poster, with another small poster on top of it, on a wall in Bologna, Italy.

Resistenza. © Copyright 2023 G Dan Mitchell.

A weathered poster, with another small poster on top of it, on a wall in Bologna, Italy.

Today I interrupt the nearly-continuous stream of fall color photographs to insert another from our 2023 summer travels through Europe. This one comes from Bologna, where there is a lot of “street art” and graffiti, to put it mildly. It ranges from crude text scrawling to some quite fascinating work. This isn’t precisely street art, as it began life as a poster of some sort… but if you look closely you’ll see that there are layers here.

The poster was glued to a wall and surrounded by a frame — unlike real street art which rarely would be present that way. But do note the thin band of typically-colored Bologna wall around the central element, and note that already another small poster had been layered on top of it and that it has been defaced in some subtle ways.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: France, Photographs: Travel, Photographs: Urban/Street

In Tatters

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In Tatters
Remnants of street posters, Paris

In Tatters. © Copyright 2019 G Dan Mitchell – all rights reserved.

Remnants of street posters, Paris.

One thing I look for when photographing in cities is examples of street art and posters and similar that have been up long enough to have been weathered and otherwise distressed. In some cases they reveal many layers of imagery and text — some painted, some in ink, and some pasted to walls and on top of previous materials.

Beyond being in Paris I no longer recall the specific location or larger context for this splash of color. I just recall that the bright colors, abstracted from their original context by being torn to pieces, caught my attention as we walked by, and that the background white field almost reminded me of paper product wrapping. There’s just enough form to the colors that I might imagine that I could figure out what was there originally…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: France, Photographs: Urban/Street

Exposition Le Bikini, Wall

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Exposition Le Bikini, Wall
A very worn and weathered Paris wall, plastered with flyers for the “Exposition Le Bikini.”

Exposition Le Bikini, Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

A very worn and weathered Paris wall, plastered with flyers for the “Exposition Le Bikini.”

This is perhaps a bit of a whimsical photograph. As we walked through an older section of Paris back in 2016 we started coming upon lots of these posters. I assume that the event must have happened recently, as the flyers were worn but not so worn out that they couldn’t be read or seen.

I’m a sucker for worn and weathered surfaces, especially when they hold interesting shapes and forms and when there are layers of old “stuff” on the walls. If you look more closely at this you many find bits of old posters on top of bits of even older flyers.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Ben Is Watching

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Ben Is Watching
A Brooklyn, New York wall

Ben Is Watching. December 21, 2015. Brooklyn, New York. © Copyright 2015 G Dan Mitchell – all rights reserved.

A Brooklyn, New York wall

I generally make it a rule to not photograph graffiti, though it is not quite a hard and fast rule. I almost never photograph a subject with someone’s vanity tag on it, and in a few cases when a larger subject as been compelling I have removed or defaced the tag in post. There are probably a range of reasons that one might write or scribble or draw on public and private property, ranging from a poor sense of social belonging to a desire to produce something like art — so the decision to show or not isn’t without context.

In this case, the wall seemed to be one that had become, likely by more or less popular agreement (or a concession?) a place where such public art is perhaps not only tolerated but also expected. While a simple tag doesn’t usually interest me, here there were layers of text and imagery that had been assembled over time and then modified by weather, wear, and perhaps later contributors. Eventually, the accidental juxtapositions seem to take on their own lives, as in this vignette featuring a worn dollar bill image of Benjamin Franklin, and oddly anthropomorphic red and white and green shape, bits and pieces of paint, and the underlying old brick wall. And, of course, this is all very temporary — and probably transformed or gone by now.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.