Tag Archives: pre

Birds Before Dawn

Birds Before Dawn
A flock of small birds rises into pre-dawn sky about San Joaquin Valley wetlands

Birds Before Dawn. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A flock of small birds rises into pre-dawn sky about San Joaquin Valley wetlands

This was a long day with lots of driving. In the evening I would be in Oakhurst, in the Sierra Nevada foothills near Yosemite, where I planned to attend the reception for “AVIAN: Birds In A Changing Landscape,” an exhibit of art related to the lives of birds in California. (Two of my photographs are in the show, and it runs through January 14 at Gallery Five.) But before going to Oakhurst I figured I would start my day by visiting the San Joaquin Valley wetlands, the environment where the birds actually live.

After a two-hour drive I arrived a half hour or so before dawn. I grabbed a quick cup of coffee from my thermos, put the big lens on my camera, and turned my attention to the surrounding bird-filled landscape. Within moments I was stunned to see something new to me — an absolutely huge flock of very small birds rose in the distance. My best guess is that they may have been tai-color blackbirds, but the numbers were far beyond anything I had seen here before. The light was too low and they were too far away to make an effective photograph, but before long a very small fraction of the flock came across this section of the wetlands closer to my location, and I was able to photograph them against the pre-dawn sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Before Sunrise

Aspens, Before Sunrise
A large grove of eastern Sierra fall aspen trees in pre-sunrise light

Aspens, Before Sunrise. Eastern Sierra Nevada, California. October 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large grove of eastern Sierra fall aspen trees in pre-sunrise light

After spending so many years exploring the Sierra, and for the past 15 or so expanding my explorations to include some of the high east side locations mostly accessible by vehicle, there are little spots all over the range that have become personal favorites — places I return to regularly whenever I get a chance. You might think that they would get “old” after a while, being so familiar. Instead, I find that there is always something new to discover about them, and I enjoy the sense of spending time with old landscape friends!

This is one of those places. In this case, I have to drive to get to it, but it is still typically a nicely lonely place, and I often have it entirely to myself at dawn. A person or two might pass by, but that’s about it. (Though, funny story, this time as I took in the view a small vehicle carrying four deer hunters passed by. We waved and they kept going. Later, as I descended from this spot, heading in the direction from which they had come, I passed through a herd of a dozen deer right on the road.) I usually go before dawn and watch the first light strike the highest peaks and work its way down into the valleys. I made this photograph before the direct sunlight had arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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From Tufa To Mountains, Dawn

From Tufa To Mountains, Dawn
Predawn light above high desert mountains, reflecting on the surface of Mono Lake

From Tufa To Mountains, Dawn. Mono Lake, California. July 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Predawn light above high desert mountains, reflecting on the surface of Mono Lake

Mono Lake is famed for several things, among them the remarkable tufa towers found in several locations along the shoreline of this great land-locked lake east of the Sierra Nevada. And, yes, this photograph includes a few of those towers — a small group that lies far enough from the shoreline to make them less accessible and interesting to most photographers. (No, that isn’t Nessie — or a band of Nessie lookalikes — at the lower left corner.)

But tufa towers are not my primary or strongest association with this place. Mine include more ephemeral things — the sense of huge space, the expanse of the sky (accentuated by the distance and smallness of surrounding mountains), the deep quiet that is broken only by the sounds of birds and wind. In my experience, to understand those things about this place you must find a quiet place away from other people and perhaps just “be” there quietly, long enough to let its stillness begin to affect you, too. On this morning I arrived in Mono Basin before dawn, ending up at a spot that is not typically regarded as being iconic. Being early, I was in no hurry, so I set up my camera and tripod and just looked for a while before beginning to make photographs of the predawn light from beyond the eastern mountains as it reflected on the breeze-ruffled surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Predawn Clouds Above The Black Mountains

Predawn Clouds Above The Black Mountains
Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Predawn Clouds Above The Black Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Death Valley can be a tough place in general and a tough place for photography in particular. My recent trip in April of this year might be a case in point. The photography was not easy, and I faced different sorts of challenges almost every day. During the morning and evening hours when I typically look for “golden light” subjects, I had rather thick clouds on almost each day. Wind is often a challenge in the park, and this trip was no exception. And with the wind comes dust — yes, I dealt with dust storms on multiple days. On one morning I arrived at what I thought was my location in pre-dawn murky light, loaded up a pack, and wandered out into the landscape… only to realize once the light came that I was in the wrong place! While this sort of thing can make the photography edge a bit more difficult, I know that it comes with the territory, so I’m philosophical about it. If you are out there enough to encounter astonishing conditions, it is not a surprise when you find yourself at the opposite end of the bell curve on occasion. And when this does happen, if I just open myself to the terrain and look more carefully I can almost always find something.

On my second-to-last day of photography in the park I packed up my camp and left one of the popular campgrounds, with a plan of putting myself in a more isolated location, one of several that I had in mind. However, as I drove up the Valley a storm wind began to rise from the south, and soon clouds of dust and sand were filling the air and blowing north towards the places I thought I would visit. I wasn’t in the mood for camping in a dust storm so I switched gears and decided to head up into the Panamint Range where I thought the terrain might give me some protection. I arrived and set up my “camp” (which, in this case, was mostly my vehicle, in which I would roll out a sleeping bag), and almost immediately clouds filled the sky and a strong wind raced through the campsite. I hunkered down, at some dinner, and realized that this was not going to be a photography evening. The next morning, my final in the park on this trip, I was up and out of the campground at around 5:00, heading out on a gravel road to a high place with a grand panorama. As the first light appeared it became clear that the clouds had not gone away, and my hopes of a colorful sunrise were not going to be rewarded. I arrived at the destination to find that gale-force winds were raking the summit ridge. But I was there, I had my camera, I figured something might happen, so I got out and watched the sky lighten. Soon I saw this remarkable lenticular cloud formation to the southwest above the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.