Photographing in the area around Salt Creek in Death Valley has long been a challenge. The place is intriguing, with its surprising creek flowing on the valley floor and its population of endangered pupfish. But visually it has generally not spoken to me. The light can also be challenging, especially with a large mountain range blocking late-day light. But I think there are possibilities in the area and I continue to visit from time to time.
Continue reading From Valley to Mountains
This season I took advantage of the rare opportunity to photograph reflections of desert mountains in Death Valley. We were there just before Christmas 2025 and then again near the end of February 2026. The Lake Manly was there both times, though it had visibly diminished on the second visit. But from up close its surface still reflected the surrounding mountains and sky.
Continue reading Lake Manly, Morning Clouds, Reflection
Here is another morning photograph on Manly Lake. I know — that is a LOT of photographs of this feature! But I had several beautiful mornings there this season, and each produced quite a haul of pictures portraying different moods and surroundings. At the moment I made this one, a band of light was striking a ridge descending toward the lake, while the foreground and more distant shadows were in muted light.
Continue reading Desert Mountains and Reflection, Morning
There are a few unusual things in this Death Valley photograph featuring Telescope Peak. Superficially, snow at Death Valley might seem unusual, but while it is at lower elevations that usual, these peaks are often snow-capped in winter. More unusual is the band of water at the bottom of the frame — that’s Lake Manly, which may temporarily form in Badwater Basin during wet years. The photograph includes the lowest elevation in the park (Badwater Basin) and its highest (Telescope Peak.)
What lies between those extremes is remarkable, too. That is a rise of over 11, 300′ from below-sea-level Badwater Basin to the summit of the peak. Between those two is some extremely rugged terrain that ranges from low desert to the alpine zone, with everything in between.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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