Tag Archives: range

What You Get Is Not What You See

Recently I spent more than a week photographing in a beautiful area of the Sierra Nevada backcountry. A short walk above the spot where we camped was a magical meadow — a place filled with light, grasses still green but starting to turn golden, high elevation trees scattered around the edge of the meadows, and a deep valley separating us from alpine valleys topped by steep granite peaks and ridges with scattered snow fields. At times clouds would float by and add some interest to the blue Sierra Nevada sky.

What I saw

Here is one of several photographs I made in this meadow, with the first example being a small version of a print-ready final interpretation…

Subalpine Meadow, Forest, and Peaks
At the edge of a subalpine meadow, surrounded by forest and high peaks

Here is another version of the photograph, straight out of my raw file conversion program and before I did additional work in Photoshop…

File after raw conversion operations

I think it reflects fairly well what I saw while I stood behind the tripod as light softened by closer clouds spread across the meadow. I’m confident that anyone who had been there with me would agree.

What the camera saw

But that is not what the camera saw. Here is what my captured file looked like before I did my raw conversion post-processing…

RAW file as exposed before conversion processing

Yuck!

This SOOC (“straight out of camera”) image looks pretty bad. The sky is OK, but the meadow is dark and flat-looking, not showing the actual quality of light at all, and the forest appears to be almost completely black.

What’s up here? Am I trying to trick you and present a false version of the scene? Am I an incompetent photographer who completely blew the exposure? Am I trying to “compensate” for a bad exposure by using radical post-processing?

The answer is “none of the above.” Continue reading What You Get Is Not What You See

Tree Line

Tree Line
Near tree line in the North Cascades, Washington

Treeline. Cascades, Washington. September 10, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Near tree line in the North Cascades, Washington

I have been in the Seattle area for a few days — heading home later today — and getting out to do a bit of photography, with subjects ranging from downtown Seattle street photography to landscapes in the Cascades range. Yesterday the weather was looking good (sun!) and I had the full day free, so I headed up to the Artist Point area in the North Cascades near Mount Baker.

Familiarity with a particular mountain range, in my case the Sierra Nevada, makes the different characteristics of other ranges stand out. The Cascades and the Sierra are both spectacular mountain ranges, but the similarities largely end there. Several things always impress me about this Pacific Northwest mountain range: the suddenness of their rise above forested valleys, the quality of the atmosphere and light (from clouds and lower angle sunlight), the much wetter climate, the lack of granite, and the proximity of big glaciers — they often appear barely above the level of the highest trees and they cover the upper slopes of the highest peaks. (California glaciers are most vestigial, just large enough that we can happily claim to have a few.) This visit was brief — a matter of a few hours — but I managed to get out and wander a bit and make a few photographs. This small clump of trees was catching late-afternoon sunlight filtered through high clouds, with a backdrop of a large valley between my position and the slopes rising to Mount Baker.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Country, Dawn

High Country, Dawn
Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

High Country, Dawn. Yosemite National Park, California. July 27 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

Sometimes landscape and nature photographers enjoy complaining about certain things required to be in the right places at the right times in order to make photographs of their intended subjects. So, here is a story. The previous day I had been out photographing until the light was gone, and then had to travel back to my dark camp. By the time I finished camp business, it was quite late, and by the time I got to sleep it was less-than-a-full-night’s-sleep until the time I would have to get up. But get up I did, well before dawn. I dressed in the cold and darkness, soon heading out with no coffee or breakfast while the sky was still dark. Before long I began to find potential subjects, even though the light was not yet quite “there.”

Now, behind that story (complaining? false heroism?) is another truth: I feel fortunate to be able to do this! As I ventured out, I found myself almost entirely alone. Even though I was driving on a very popular high country road, I saw almost no one else. Before long the bluish earth shadow line began to drop toward the horizon behind these peaks, and I stopped at a little meadow I know well. Although it is next to the roadway, it was almost completely silent and still, and the meadow plants were covered with dew. I photographed as this brief show of sky color began to fade, and as I finished I thought about the number of people who only come to these places in the middle of the day, and who therefore miss the color and the quiet and the solitude. Is it worth getting out of my sleeping bag in the predawn darkness? Yes!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Early Season Alpine Terrain

Early Season Alpine Terrain
A lakeside meadow is begins its short summer period of growth as snowpack melts along the Sierra Nevada crest

Early Season Alpine Terrain. July 26, 2017. Eastern Sierra Nevada, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A lakeside meadow begins its short summer period of growth as snowpack melts along the Sierra Nevada crest

I think I can use this photograph to tell a story or two. In late July of this much wetter than normal year, I visited the Sierra in the area roughly between Tuolumne Meadows and Lundy Canyon over a period of four days. After five years of California drought, the balance tipped the opposite direction this past winter, and did so with a vengeance. Many areas got as much a twice the normal amount of precipitation this season. Many areas opened late, lots of facilities were damaged, and a number of places (such as Tuolumne Meadows campground) were still not open when I visited. But I managed to find a high elevation campsite just outside the park, and I decided to mix a little hiking with my photography.

This lake is perhaps a couple of miles from a trailhead that offers two relatively easy ways to get there. I took a familiar one along a north-facing slope above the shoreline of a big lake, because it is shorter than the alternative and in some ways easier. Or so I thought. It turned out that the snow from this big winter is still thick in areas above 10,000′ of elevation — like this one — and more than half of my little hike turned out to be on snow. There was also water everywhere — waterfalls and cascades visible high up on mountain slopes, streams dashing madly down below, flooded meadows, and more. My second challenge turned out to be this water — and I finally came up against a creek that I wasn’t willing to try crossing while hiking solo — a bit too dangerous. The lake in this photograph lies in a subalpine basin below peaks on the Sierra crest. The snow had just (for the most part) melted out of this sodden meadow near the lake’s outlet stream, so I decided to make a few photographs that included the large blocks of granite standing in the meadow along with the very tall alpine ridge in the background.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.