Tag Archives: range

Panamint Sunrise, Lake Manly

“Panamint Sunrise, Lake Manly” — The winter solstice sunrise illuminates the Panamint Mountains, reflected in the surface of Lake Manly.

We were in Death Valley National Park just before Christmas, arriving the afternoon before the winter solstice and departing on Christmas Eve Day. There are lots of reasons to visit this landscape in the winter, including the reappearance of Lake Manly for the second time this year. In prehistoric times this Lake was much larger and deeper, but in wet years a remnant appears, and shallow water spreads across the lowest part of the valley.

We headed to the shoreline before dawn on the solstice, not quite sure what we would find. (We had arrived too late to scout it the previous evening.) My first choice location wasn’t available due to a road closure, so we quickly readjusted and made our way to the edge of the water. From here we photographed the landscape and its reflections as the first light came to the Panamint Mountains across the valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Forest, Meadow, and Ridge

Forest, Meadow, and Ridge
“Forest, Meadow, and Ridge” — Cathedral range peaks tower above lodgepole pine forest and subalpine meadow, Yosemite.

After years of photographing now-familiar scenes in this location, I still manage to find angles from which I have not photographed. I had gone to a location near Tuolumne Meadows to see how recent “remodeling” had changed things, and I just happened to look in the right direction from the right spot — and I saw this part of the Cathedral Range in evening light.

I’ve long been fascinated by the Cathedral Range. Years ago I learned that its rock is unusual, featuring large crystals. Once I knew that I began to notice it everywhere in this part of Yosemite. This sub-range runs perpendicular to the main range. Its summits are the typical Yosemite granite in appearance, but their elevation is just right to have allowed them to be significantly glaciated. Yet the peaks are high enough to have the rugged look of summits that were above the ice fields.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Boulders, Tuolumne Meadows

“Boulders, Tuolumne Meadows” — Large granite boulders strewn across Tuolumne Meadows.

This is another of those locations that are best photographed very early or very late in the day, and preferably without the distraction s of large groups of photographers. It was evening, and I drove to Tuolumne Meadows from my camp to look for quiet light on meadows, boulders, and domes.

The Meadows are beautiful in the late-day light, which softens and can turn golden. Here a pile of large rocks, almost certainly glacial erratics, dominates the scene, and light from the setting sun comes from just outside the camera’s frame. In the distance we see peaks of the Cathedral Range.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Reflected First Light, Panamint Mountains

Reflected First Light, Panamint Mountains
“Reflected First Light, Panamint Mountains” — Shallow salt flat water reflects the first light on the Panamint Mountains.

During my late-February visit to Death Valley National Park, I spent two early mornings photographing the Panamint Mountains in the first light, with the salt flats and shallow water in the foreground. The water is not the ephemeral “Lake Manly” phenomenon that we saw in 2024. This is a slow, shallow flow of water that seems to continue all year, regardless of conditions. It is just enough water to produce these reflections.

These days I photograph almost exclusively with a full frame digital system. (Sometimes I use a smaller APS-C system, often for my street and travel photography.) I usually use a pretty straightforward set of lenses that work well for my landscape photography, but occasionally I bring out an adapted medium format zoom lens and mount it using the Mirex tilt/shift adapter — yes, movements with a zoom lens! That was pretty useful for this photograph given the low light and the extreme distance between the foreground and the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)