Day lilies growing in the Commemorative Garden at the Gene and Irene Wockner Hospice Center, Kirkland, Washington.
Thanks to the several people who have told me that these are almost certainly daylilies. (I originally used two words, “day lilies,” to title this and I’m going to leave the title that way for now.) I’ve also been told that the name reflects the short blooming period of the individual flowers, which might remain in full color for only a “day.” While I did not know the name of the flowers, I certainly could tell that the blooms did not last long. In fact, in this photograph, the buds of incipient flowers are visible above and to the right of the main flower, and one that has already run its course is near the top of the bright red and yellow flower.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Tuolumne River curves through Tuolumne Meadows as alpenglow colors the landscape, Yosemite National Park.
I have written previously about several topics that connect to this photograph. For one, I have described a certain type of atmospheric condition in the Sierra that may bring astonishingly intense evening colors when clouds above the mountains end to the west of the range, allowing the final sunset light to illuminate the clouds from beneath. On this evening it looked like all the pieces were in place for such a show, but I know that while these conditions make the light possible, they do not guarantee it – and on this evening there was a wonderful, subtle glow just after sunset… but not the imagined overwhelmingly brilliant light.
For another, I have written about scoping out a shot ahead of time, sometimes earlier the same day and sometimes weeks, months, or even years earlier. Earlier on this day I decided to take a walk in the meadow without my camera gear, with precisely the task of “scoping out” in mind. I wandered around somewhat aimlessly, following my nose this way and that to investigate lots of interesting things and places that I might have passed by on a more purposeful hike. Before heading back to camp for an early dinner I had selected three possible subjects that I thought might work well.
I have also written about how little control we have over our subjects when shooting landscape. We can anticipate and guess and be fortunate enough to be in the right place at the right time with the right gear and the skill to know how to use it, along with the ability to see what is happening – but in the end, in many ways, we take what we can find and work with it. When I arrived back in the evening an hour or so before the time of interesting light, I had a feeling that the first subject I had seen earlier might be the most promising. This was a scene that placed Lembert Dome between a couple of groups of trees and a bit of the river when viewed from the middle of a footbridge crossing the Tuolumne. I arrived and set up and began the planned wait for what I hoped would be very interesting light. However, as sunset approached, I could see that the shot I had planned was not going to work in the light that I found myself working with. So, on the spur of the moment and acting essentially intuitively, I picked up the tripod and camera and moved to a nearby spot and rather than making a tightly focused shot of the dome, I zoomed way out to include a gentle curve in the Tuolumne, a sandbar, and a line of foreground trees, and I made this photograph of the much subtler-than-expected post sunset light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A solitary boulder interrupts the flow of the Tuolumne River as it reflects the colors of sunset sky, Yosemite National Park.
I’m just back from a few days photographing in the greater Tuolumne Meadows area of the Yosemite and the Sierra. I stayed in Tuolumne for a couple of nights and then one additional night at a forest service campground just east of the pass, allowing me the better part of four days of photography in the area between about Tenaya Lake and the pass, plus some areas east of the pass. I even managed to get down to Mono Lake for one very early morning shoot. For those who haven’t been up there yet this season, this is a very different year in many ways related to climate. It is dry! There is virtually no snow left except in the usual “permanent” areas on the highest peaks, water levels are very low, and overall it looks a lot more like late August or even September. (But look around and you’ll still find wildflowers.) Areas of the forest, especially higher up and near passes, seem to have suffered a lot of damage in a late-2011 wind storm. I’ve never seen so many trees downed by wind as I saw near Tioga Pass on this visit.
Since I was camping in Tuolumne Meadows, one day I used the midday hours that are less conducive to photography to scout a few locations along the Tuolumne River. I wandered down from camp, across the meadows, and over towards Soda Springs. From here I picked out a few likely prospects for evening photography – a bend in the river with some interesting trees, a large boulder that might front a photograph of the Cockscomb, and a few others. That evening I returned, hoping for interesting lighting. It was one of those evenings that held the possibility of very interesting sunset and post-sunset light. There were dissipating clouds above the Sierra crest, some clouds directly overhead, and clearing to the west. These conditions can allow light to shine up under the clouds from the west at sunset, and can produce intensely colorful displays. I never know for sure that this will happen, but I know that the conditions increase the chances a great deal… so I’m willing to be there and ready to photograph if it does happen. On this evening it didn’t quite happen. It was a lovely evening and there were colors, but nothing tremendously out of the (relatively nice) ordinary. During the last few minutes of color I was thinking about how there was nothing to the west that could make a photograph that included the light appearing that direction, when I happened to look down on the surface of the river to see this rock and these patterns on the surface of the water.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A lone tree stands against the fractured textures of a sandstone cliff, Zion National Park, Utah.
Time for one more Zion photograph. Actually, it may not be quite the last from this April visit to that park and other beautiful areas of Utah. It almost doesn’t matter exactly where this photograph was made, since red rock and green trees can be found all over the area. Basically we were driving along a park road in the afternoon, with eyes wide open and looking about for photographic subjects, when we stopped alongside a section of the cliff that was still mostly in the shade, and in front of which beautiful trees were growing.
I liked the conjunction of the hard, reddish rock with its vertical cracks and horizontal patterns… with a single living thing, the very green tree growing up against the cliff face in the shade. Sometimes the colors of the rock can seem almost unreal. I feel a bit that way now when I look at the intense red-yellow colors in the upper right corner of the frame.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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