Tag Archives: reeds

Red-Wing Blackbird

Red-Wing Blackbird
A red-wing blackbird perched among wetland plants

Red-Wing Blackbird. © Copyright 2018 G Dan Mitchell – all rights reserved.

A red-wing blackbird perched among grasses

The red-wing blackbird (and the similar tri-color blackbird) are among those birds that are found all over the place here in California. I’ve encountered them in agricultural areas and on trails in coastal hills parks, in huge groups or as solitary individuals. They often perch, and they aren’t too hard to photograph with a long lens, though their very dark feathers can provide some exposure challenges. When they take to the air they often move quickly and can be hard to track.

The red patches are not always visible. In fact, when I first saw this individual I did not see them. But the bird seemed content to remain in one spot for a while, so I settled in with the bird in the viewfinder and waited. Typically the first thing I’ll do is to try to grab an initial photograph that is at least usable. But they I wait and watch for something beyond that, something that might show the animal in a special way. As I watched this bird, all of a sudden it puffed out its feathers and exposed those brilliant red patches for a few seconds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two White-Faced Ibises

Two White-Faced Ibises
Two white-faced ibises interacting in a San Joaquin Valley wetland pond

Two White-Faced Ibises. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two white-faced ibises interacting in a San Joaquin Valley wetland pond

The white-faced ibises have intrigued me since before I knew what they were — in fact, I suppose I could say that I photographed them before I realized that they existed. Some years back, on my very first more or less accidental exposure to bird photography, I found myself “out there” on an early morning, with no more clue about what was going on than “someone told me I should go here and see the birds.”(That someone was a colleague where I taught.) I barely knew a goose from a swan, at least when they were flying quickly overhead, but I was amazed by the number and variety of birds that morning. I photographed like a madman, not really knowing at all what I was photographing. Later on, back home and looking at files, I recall finding a series of photographs of a line of birds overhead that had oddly long and curving beaks. I wondered what they were. It turns out they were ibises.
 
Ibises are not always the most common specimens. In addition to their unusual beaks, they have another particular visual characteristic. In many situations you would regard them as dark and fairly drab-looking birds. Photographing them in flight is often difficult, partly because they frequently just end up looking black against any lighter background. But catch them in the right light and the texture, patterns, and colors of their feathers begin to appear. On this morning I happened upon a group of ibises, perhaps a couple dozen, in shallow water. I stopped and watched quietly and was able to photograph a variety of behaviors, including this interaction between two of the birds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky
Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter morning fog in bright morning light above a San Joaquin Valley marsh

I made this photograph, rendered here as a high key black and white image, in a wetland area of California’s San Joaquin Valley. Photography began on this morning before dawn, in very foggy conditions. Here, nearly two hours later, we had worked our way around to a different location where shallow ponds stretched into the distance, reflecting trees in the thinning fog that was brightly lit by the morning sun, and with high clouds above.

At the time when I looked across this water I was struck by how little of substance there was in the scene. Above was misty and faintly blue sky with thin clouds. Below there was water, but the water served primary to reflect that same sky. The only solid material in the scene is the faint trees, a few birds, some bits of grass, and a couple of thin strips of levee. Everything else is sky or fog or reflection of sky and fog. The photograph is one of a series that I have tucked away, yet to work on at the appropriate time, and in need of further thought: Do I work with the high key luminosity of the scene, or do I work with the color version in which everything is shades of blue?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wetland Sunrise, Fog

Wetland Sunrise, Fog
Wetland Sunrise, Fog

Wetland Sunrise, Fog. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter sun rises through high clouds above foggy wetland landscape, San Joaquin Valley

I photographed this Central Valley sunrise on a cold and damp mid-February morning earlier this year. I had travelled out here to photograph birds, but that is always a bit of an excuse to photograph landscapes, too. The San Joaquin Valley, especially on winter days when varying amounts of fog come into play, can be a beautiful place to make photographs—which may surprise people who mostly think of it as the location of California’s agribusinesses and a place to drive through quickly on hot summer days.

Many things come together in a place like this at a time like this. High, thin clouds were spread over the Sierra Nevada far to the east, and the sun had to rise above them before it appeared out here in the valley. (The sun had earlier colored the landscape as it struck high clouds over the valley, but it was not visible yet itself.) Many of the birds here only visit in the winter, arriving from and then departing for places far north of here. The marshes in this area mark the location of the San Joaquin River drainage, though today there is almost nothing left of the original water flow. And on a morning like this the experience is only partially visual. The air is cold, damp, and still, yet filled with the astonishing and raucous sounds of tens of thousands of birds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.