Tag Archives: reflection

Forest and Pond, Winter

Forest and Pond, Winter
Forest and Pond, Winter

Forest and Pond, Winter. Yosemite Valley, California. January 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Trees grow out of a small winter melt-water pool in Yosemite Valley, California.

As I drove down the Valley I spotted this very quiet seasonal pool that was reflecting the forms of the forest trees in the soft late-afternoon light. As the temperature dropped there was just the slightest hint of shallow fog starting to form above the surface of the water.

If you are the type who reads the “technical data” accompanying the photos you perhaps notice the unusual choice of lens for this photograph. You might also be surprised at just how often I use a long lens, even this 100-400 zoom, for landscape subjects. Besides getting me “closer” to subjects that would otherwise be out of reach – that was the case here where there was water between me and the trees – the longer lenses also compress the contents of the scene and can also help eliminate elements that would otherwise distract from the main scene.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Clouds and Rocks, Point Lobos

Evening Clouds and Rocks, Point Lobos
Evening Clouds and Rocks, Point Lobos

Evening Clouds and Rocks, Point Lobos. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Evening clouds over the Pacific Ocean and offshore rocks at Point Lobos State Reserve.

It always strikes me as odd that at the most beautiful time of day at Point Lobos, almost all of the park visitors have left. In the evening as the sun goes down over the Pacific and the fog may or may not roll in, there are often only a handful of people left in the park, a good number of them photographers. On this Sunday evening it may have been that some were discouraged by the low clouds that had come in earlier in the afternoon, but sometimes these clouds dissipate or are lit up from behind at sunset – at that is precisely what happened on this evening. The low clouds began to thin and as they did so beams of light came through the breaks in the clouds and painted the surface of the Pacific with patchy light. A bit later, after I made this photograph, the clouds thinned even more and high, pink sunset clouds appeared briefly. And there was not another person anywhere near me to see it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


San Francisco Skyline, Light Beams

San Francisco Skyline, Light Beams
San Francisco Skyline, Light Beams

San Francisco Skyline, Light Beams. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Beams of light from brilliantly lit clouds send beams of light past downtown San Francisco buildings and toward the waterfront.

Anyone who knows San Francisco might be wondering about this light – and I wouldn’t blame them. These were really unusual conditions. Believe it or not, the photograph was made very early in the morning, perhaps a bit less than a half hour after sunrise. Which begs a couple of questions: why is the light coming from the right (west to southwest) at dawn? And, why does the light seem to be coming from such a high angle?

The light beams are not direct sunlight. The sun is actually far to the left of the frame and very low in the sky. Its direct light was blocked by intervening fog clouds. As the clouds moved from left to right, thinner areas in the cloud cover were struck from behind by the very low angle sunlight coming from the left and set aglow. It was the brilliant light from these areas of backlit clouds that cast the light through the mist and between buildings. What you cannot see in the still photograph is that as the clouds moved the beams of light slowly swept from right to left. From moment to moment the light beams would angle from right to left, then straight down, and then left to right.

Another amazing thing was that I appeared to be the only person out making photographs of this…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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