Tag Archives: reflection

Trees, Granite, Reflections

Trees, Granite, Reflections
A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake

Trees, Granite, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake

This scene was along the edge of a lake I visited on several evenings, hiking up from our base camp during our September week in the Eastern Sierra Nevada backcountry to make photographs. The logical starting point for photographs here was near the lakes outlet, where there was a small, rocky meadow and several nice granite outcroppings that extended into the lake. I initially began by photographing there.

But soon the light left that area and I decided to wander around a bit more. Not far away was a small bay extending off from the main body of the lake, and on the other side of this bay several attractively twisted and bent trees stood on and in front of a large granite outcropping.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Talus, Reflection

Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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End-Of-Summer Light

End-Of-Summer Light
Late season Sierra Nevada light in the John Muir Wilderness

End-Of-Summer Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late season Sierra Nevada light in the John Muir Wilderness

As you may have figured out if you follow my work, I often photograph very early and very late in the day, especially when I have access to soft light. On trips like the one where I made this series of photographs the day follows an unusual schedule. We are typically up very early (before dawn) for a few hours of photography, we return to camp to hang out and take care of various camp duties in the middle of the day, and in late afternoon we once again head out into the field, frequently not arriving back in camp until after dark.

But sometimes the light is beautiful outside of those limited hours. There could be special weather conditions — fog, storm clouds, haze — or a landscape that is amenable to midday photography. In the Sierra there is a period from middle September until the first real snows come that can produce some of the most beautiful daytime light I know. I think of it as golden light, and it comes on clear, cool days when the fall colors are arriving. This was one of those days, with the lakeside grasses turning yellow and the water very still, when I made this photograph near the outlet of a small, subalpine lake.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Lake, Evening Reflections

Alpine Lake, Evening Reflections
A rocky peninsula, an alpine lake, reflections of the headwall in evening light

Alpine Lake, Evening Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rocky peninsula, an alpine lake, reflections of the headwall in evening light

In high places like this, where cirque walls tower over alpine lakes and block the light early and late in the day, evening quiet can come early. I had been walking to this spot almost daily for several days to try to make a photograph of a particular group of trees that caught the last sunlight in the late afternoon. On this day my timing was (finally!) right, and after I made that photograph I turned my attention to the rest of the scene, which was now in shadow.

To my left a small rocky peninsula pushed out into the lake near its outlet stream and supported a few trees and small plants that could gain a foothold it its cracks. Across the lake piles of talus lay at the bottom of the solid rock face of the valley’s headwall, where one snow patch remained, reflected in the quiet surface of the lake. That surface also reflected the rest of the face, including parts so high that they are not in direct view. The entire scene was illuminated by the soft blue light coming from the open sky above and behind me.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.