Tag Archives: reflection

Lake Shore, Autumn Morning

Lake Shore, Autumn Morning
Morning light strikes grass on the shoreline of a Sierra lake reflecting autumn aspen color

Lake Shore, Autumn Morning. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light strikes grass on the shoreline of a Sierra lake reflecting autumn aspen color

Some photographs have to age for a while before I go back and figure out how to “see” them. This is one of those. I made the photograph a few months ago on a lovely autumn morning high in the Eastern Sierra, at a corner of a well-known location from which people frequently photograph a rather different view. I had begun the morning near this lake, looking for ways to see the landscape in this location in ways that weren’t quite as familiar to me, partly with photographic intent and partly out of not wanting to be part of the assembled crowd!

A bit later, once the expected light show had ended and those who came only for that had departed, I wandered down along the shore of the lake. Where there had been dozens a bit earlier, there were now only two, myself and one other photographer. I’ve been intrigued by these grassy areas along the edge of this lake, but I had not thought to photograph the scene from quite this direction before — and my timing was either perfect or, more likely, lucky in that the first beams of morning light to find their way through surrounding trees were just beginning to strike the patch of grass.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Arrival of Geese, Dusk

Arrival of Geese, Dusk
Geese land in a wetland pond at dusk

Arrival of Geese, Dusk. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese land in a wetland pond at dusk

In an earlier post I alluded to my occasional good fortune in being the recipient of unanticipated events while out photographing, in this case the unexpected arrival of a dusk flock of geese right in front of the spot where I was standing and quietly watching the dusk light fade, thinking that I had finished my photography for the day. In that last moment, a flock took to the air a good distance away across wetland ponds, expanded the circle of its flight, and without warning began to land in the pond next to my position.

The relationships between luck and skill and preparation are complex, but there is no denying that luck plays a role in photographing the natural world. While I could tell that the sky was becoming beautiful, and while I am prepared to make technical and esthetic decision about how to photograph things as they happen, the fact that this flock took off in the dusk light and then landed perhaps fifty feet from my position is certainly nothing for which I can take credit. It does pay to be prepared, to have done this enough times to have a good chance of making the right decisions quickly when the opportunity arrives and, perhaps most of all, to be out there in the field as much as possible. One moment like this one makes it worthwhile.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Geese, Sunset Sky

Geese, Sunset Sky
Geese settle in for the evening as dusk sky comes to the San Joaquin Valley

Geese, Sunset Sky. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese settle in for the evening as dusk sky comes to the San Joaquin Valley

The approach of winter in California’s Great Central Valley reminds me of a number of great seasonal cycles — the days shorten, temperatures drop, mornings are again often foggy, and the monumental migration of birds brings geese and cranes and more back to the state. This area, which can be less than compelling in the visual sense during the summer (though it has its attractions then, too) becomes one of the most special places in California if you know when and where to look. Yesterday I made this season’s first trip back to this landscape.

We can make some predictions about things like the birds and the weather in this place, but there will still be many surprises. Yesterday’s visit brought two such wonderful surprises. I had been watching weather forecast, hoping for tule fog, but had been consistently disappointed to see nothing but predictions of clear weather. But as I left the last small town before my destination the fog appeared, and by the time I arrived it was so thick that driving was a challenge and the rising sun was invisible. Then, late in the day, I felt that my photographic opportunities were ending, and I stopped at an out-of-the-way corner to just watch the sky after sunset. Suddenly a huge flock of geese rose noisily into the air far across the ponds, circled for a moment… and then suddenly landed directly in front of me in the fading light!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wildfire Smoke, Morning Light

Wildfire Smoke, Morning Light
Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

Wildfire Smoke, Morning Light. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

The night before I made this photograph I had driven back to my Lee Vining Canyon camp from a backcountry hike in the Tioga Pass area, leaving the park and descending the steep route after dark. As I crossed the upper end of Lee Vining Canyon, where there is a relatively clear view to the east, I saw the pall of smoke from a developing wildfire and the glow from the flames lighting it from below. Given California’s drought, the late point in the dry season, and the number of other fires in this area, I was quite concerned about what might be happening.

I got up well before dawn the next morning and as I headed down canyon toward Mono Lake there was just a bit of smoke in the air. As I came around the final bend before the junction with US 395, however, I could see that there was a very dark cloud to the southeast and that layers of smoke were starting to drift across the surface of Mono Lake in the pre-dawn light. My first though was a bit of disappointment that the smoke was likely to interfere with my photography plans, but this was quickly replaced by the realization that I was starting to see some very special and unusual conditions as the dawn approached. I found a high place and went to work photographing abstract and soft patterns composed of the reflecting surface of Mono Lake, the drifting smoke bands, and the partially obscured distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.