Tag Archives: reflection

Black Necked Stilt Feeding

Black Necked Stilt Feeding
Black Necked Stilt Feeding

Black Necked Stilt Feeding. San Joaquin Valley, California. February 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A black necked stilt feeds in a San Joaquin Valley wetland marsh

Something that quickly becomes apparent when you are around a variety of birds, especially those that live in and around water, is the tremendous range of specific adaptations they have made in order to be successful in rather narrow ecological niches. I first recall seeing this when I was much younger and someone, probably a middle school science teacher, pointed out that birds along the San Francisco Bay shoreline often were distributed in water of varying depths that suited the lengths of their beaks and legs. The same sort of thing is visible in these California Central Valley wetlands, where some birds are adapted to dry land, others to hunting in the brush, and others to success in varying depths of water.

The black-necked stilt is a very attractive bird, with its striking white and black plumage, its thin beak, and its tremendously long red legs. It is also a highly adapted bird — those long legs and back let it forage in slightly deeper water. Most often I see them in somewhat shallower water than seen here, where the bird’s legs are visible above the water line. But this one was making maximum good use of its long legs, which are just long enough to keep it out of the water as it feeds. A moment after I made this photograph the bird took off.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Wetlands, Late Winter

The Wetlands, Late Winter
The Wetlands, Late Winter

The Wetlands, Late Winter. San Joaquin Valley, California. February 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Joaquin Valley wetlands on a late winter morning

About a week ago we headed off to Yosemite Valley for a few days, primarily to attend the opening reception of the 30th annual Yosemite Renaissance Exhibit in The Valley, but also to spend some time there in what we hoped might be interesting and possibly snowy conditions. Given the way this year has gone, it shouldn’t be surprising that the hopes of snow were not met — though there was a five-minute flurry in the morning in the Valley and we found a few inches of new snow by climbing up out of the Valley. But “there is always something to see,” and there was no shortage of other things to photograph.

On our way to the Valley from the San Francisco Bay Area we made a short morning stop at a favorite migratory bird hangout. Typically we arrive here by dawn and encounter thick tule fog. This morning was different and more spring-like with sun and a few puffy clouds overhead. While it seems wrong to see this weather in what should be winter, it still was beautiful, and I made this simple photograph of a quite wetlands marsh where I more typically photograph in fog very early in the morning.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tule Fog, Marsh

Tule Fog and Marsh, with a passing bird
“Tule Fog, Marsh” — Thick tule fog obscures the view of a central California marsh

These conditions are among my favorites out in the Central California wetlands — silent except for the calls of birds, almost nothing moving, fog so thick that details quickly disappear, and a gentle glow from sun above the shallow fog layer. Mornings like this one remind me that the photography is about something deeper than getting a clear shot of another bird — it is about somehow trying for that merging of capturing and evoking the mood of such a place, and about personally experiencing the thing.

Subtle and uncontrollable things come into play. I have to slow down a lot and look for compositions in place that are not at all obvious, and the subjects from which I can select are limited to those that are very close. Some elements of the composition exist almost on the very edge of visibility — in this photograph there is a further extent of the tules that is barely visible at all. Focus isn’t easy, and I may choose to “go with the softness,” as I did here. And the bird, suddenly appearing at the lower left, turns out to be utterly unpredictable yet important to the overall effect of the image.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wetlands Sunrise, Winter

Wetlands Sunrise, Winter
Wetlands Sunrise, Winter

Wetlands Sunrise, Winter. San Joaquin Valley, California. January 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The sun rises above wetlands, barely visible through San Joaquin Valley winter fog

We arrived at this place in California’s San Joaquin Valley well before dawn on New Year’s Day — with some of us having driven as many as two hours in the dark to get there. After the drive, it is always a special moment when we get out of our cars in the cold for warm greetings and hear the sound of cranes and geese waking up in the dark distance. Knowing that the sunrise won’t wait for us, we then turn to unpacking cameras and tripods and to fitting lenses, and then we move out along the perimeter road to find the right combination of birds and atmosphere and light for photographing the dawn that will begin our full day of photography.

This morning was foggy, but not so foggy that we would not see the sunrise. With this in mind we headed to the west side of the wetlands, where we could have a view back across the flatlands and ponds toward the sun rising above the fog and the distant Sierra Nevada. As the sky began to glow we each estimated where we thought the sun would appear, and we found good spots to set up our cameras. As the very top of the orb of the sun appeared on the horizon I quickly made a small adjustment to my location to place the sunrise between the two distant tree silhouettes and to include some interesting foreground water. This was one of the very first exposures I made, at a point where the sun was still so obscured behind the low fog that I could look directly at it — within moments it rose above the ground mist and became extremely bright. I continued to photograph, but in the end this first photograph of soft light, fog, and pastel colors was my favorite.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.