Tag Archives: ridge

Lake, Trees, and Mountains at Dawn

Lake, Trees, and Mountains at Dawn
A quiet morning at a High Sierra backcountry lake in Sequoia National Park.

Lake, Trees, and Mountains at Dawn. © Copyright 2022 G Dan Mitchell.

A quiet morning at a High Sierra backcountry lake in Sequoia National Park.

As is often the case, one thing leads to another, and I sometimes end up in a place I did not anticipate. I saw a question online about a particular sort of landscape subject, and I immediately thought of a photograph of mine that was related to that discussion. But after finding my photograph and thinking how it might inform that discussion… I decided not to share it. But looking for that photograph sent me back into an archive of photographs from a wonderful trans-Sierra pack trip I made almost fifteen years ago — and that’s where I found this photograph. (Perhaps not surprisingly, I’m now revisiting that entire archive!)

That trip was a wonderful one. A small group of friends(1) spent almost two weeks on the trail, crossing the range from west to east. On such a long trip some days are devoted to just moving onward toward the eventual goal, and this was one of those days. We selected this camp location because it was conveniently located along our route. This lake is not what I regard as an alpine spectacle — instead it is a quiet place, and a fine spot to just slow down for a moment. I was up early the next day to photograph the first light on nearby peaks in the morning quiet.

1 — Bonus photo! Here’s a picture of our little gang on the summit of Mount Whitney near the end of the trip.

Talusdancers on Mount Whitney, 2008
The Talusdances on the summit of Mount Whitney, August 11, 2008. (L-R: Ernie, Caroline, Owen, Emily, Steve, Dan)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Dunes

Evening Dunes
Soft early-evening light on san dunes as the last sun strike distant desert mountains.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Soft early-evening light on sand dunes as the last sun strikes distant desert mountains.

Photographers (and other creatives) understand that their perspective on their own work will always differ from those of others. It cannot be any other way. Only the photographer — that’s me! — knows the circumstances and experiences of making the image. No one else can ever see the photograph the way I do or know all of the associations it evokes. Perhaps this is a reason that we tell stories about photographs. We hope to fill in some of what the photograph alone cannot tell.


So, some backstory: This was the first time I visited at this semi-remote desert location. I planned to photograph in the evening, camp nearby that night, and photograph again in the morning. My camp was a bit more than a half hour walk from the location, and this was the very last photograph I made that evening. Astute observers (and fellow photographers) may wonder: “Why did you stop when that light was still on the mountains?” Well… I was there to photograph the dunes. It was extremely windy and the low light was becoming more of a problem. The light on the mountains was beautiful, but there wasn’t a photograph there. And I had a long walk back to my camp, alone and across terrain that I had not visited before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Sun, Panamint Mountains

Morning Sun, Panamint Mountains
Morning sun on the eastern face of the Panamint Mountains.

Morning Sun, Panamint Mountains. © Copyright 2022 G Dan Mitchell.

Morning sun on the eastern face of the Panamint Mountains.

The light on this morning was interesting, a bit softer than expected due to thin clouds to the east that muted the colors and contrast a bit, plus a bit of the ubiquitous Death Valley haze. I made the photograph back in late January, so it isn’t a big surprise to see a dusting of snow on the higher peaks along the ridge of the Panamint Mountains.

The Panamint Mountains stand along the western side of Death Valley and are a remarkable range in many ways — their scale, the human history they contain, and their relative inaccessibility. While humans have, no doubt, appeared from time to time in this slice of landscape, it is a forbidding place and not one traversed easily. From Valley floor to the highest peaks is over 11,000′ feet, and the terrain between the two is immense and rugged.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Sand

Evening Sand
Warm evening light on sand dunes, Death Valley National Park.

Evening Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Warm evening light on sand dunes, Death Valley National Park.

I photographed this scene on my first visit to this location. Going to a new location for the first time can be a complex experience. There is, of course, the excitement of photographing something new. But there are other feelings, too — uncertainty about where to start, a bit of confusion and guesswork about how the light will evolve and about where to find the most interesting subjects. While sometimes the new simply seems exciting, other times it is almost overwhelming. For the most part I think I’ve learned to go with the flow, knowing that I’m going to make some wrong choices, that I’m acquiring knowledge that I can use when I come back, and that most likely I will at least come away with something interesting.

Approaching this spot, at first I wasn’t quite sure where to begin. I had an idea of how the light might evolve as the day ended, but when I arrived the light was less than spectacular. Another thing I have learned is that it is often better to just start making photographs rather than waiting for the perfect to reveal itself. Setting up, looking, and making exposures often primes the pump, and soon I start to see things more clearly. It is also good to be flexible and ready to be surprised. This photograph is built around one of those surprises. At first these patterns of windblown sand seemed uninteresting and I went on to photograph something else. But in the very last direct sun (you can see the edge of approaching shadows at lower left) the low light revealed shadows and textures that had been hidden earlier, and the color of the light became momentarily intense.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.