Tag Archives: ridge

First Light, Desert Mountains

First Light, Desert Mountains
The first morning light on a ridge in desert mountains, Death Valley National Park.

First Light, Desert Mountains. © Copyright 2022 G Dan Mitchell – all rights reserved.

The first morning light on a ridge in desert mountains, Death Valley National Park.

One important factor to keep in mind when photographing in Death Valley National Park is the roughly north-south orientation of most of the valleys and mountain ranges. In a broad sense, this tends to give us two ways to photograph these subjects in the morning or evening — one in direct sun and the other in shadow and backlight. This is such a basic aspect of the park’s geography, that I often organize my daily photography around it. (There are some variations on this theme, for example in locations where some features face more towards the north or south, and interesting light often slants across them.)

This photograph takes in a small segment of the east face of the Panamint Mountains, the gigantic range separating Death Valley from the Panamint Valley to the west. This east-facing aspect of the range rises over 11,000′ from Badwater to the summit of Telescope Peak, and most of it has a remarkably rugged and barren appearance. Because it is so tall, the “sunrise” takes place over a longer time as the light works its way down from the highest peaks and ridges to the alluvial fans at their base and eventually to Death Valley itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Ridges, Evening Light

Lake, Ridges, Evening Light
Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park

Lake, Ridges, Evening Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park.

This photograph (and its appearance here) is a bit unusual for me, though not entirely unprecedented. It is a photograph that I have shared previously, back when I originally made it some years ago. During the last year and a half I have had plenty of opportunities to revisit older work. Mostly this has meant exploring raw file archives to locate work that was “left behind,” but which turned out to be interesting and valuable in retrospect — photographs that I felt deserved a first showing. But this case represents something different — the rethinking of a photograph that I thought I had finished.

Revisiting and revising one of my previously-shared photographs usually leads to some relatively obvious changes. But in this case I think that changes may be subtle. Theres a small change in how it is cropped, some new ideas about how to handle the foreground light, some important but small changes to the middle forest and peak just beyond the lake, and some new adjustments to the sky. In my view, it is perfectly natural and good to revisit the original interpretation of a photograph over time, a process that was perhaps more common in the film era.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Boulder-Covered Ridge and Trees, Sunset

Boulder-Covered Ridge and Trees, Sunset
Gentle sunset light on wilderness trees on a boulder-covered ridge, Yosemite National Park.

Boulder-Covered Ridge and Trees, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Gentle sunset light on wilderness trees on a boulder-covered ridge, Yosemite National Park.

You have already seen these trees if you have been following along here in recent weeks. To quickly recap, on this evening in the Yosemite backcountry wilderness I went for a long looping walk out beyond the lake where we were camped. I climbed a ridge beyond the opposite shoreline, and followed its spine over a rounded granite dome before descending back to ward the lake on the other side. It was late in the season, and wildfire smoke hovered far to the west between my location and the setting sun. As the sun dropped toward the horizon its light came through the smoky sky and turned the landscape an intense red-orange color.

I stopped and quickly began to photograph, knowing that these lighting conditions would be very brief. When this happens the process of photography is anything but a slow and considered process. Instead my photography instincts kick in and I tend to work fairly quickly, hoping to get something before the ephemeral light is gone. Rather than perfecting a single “perfect” composition, I may try several different approaches in quick succession, working out the details by making photographs and adjusting. A photograph I shared recently focused on this same scene but it used a wider angle. Here I began to eliminate distractions from the larger landscape by tightening the composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mountain Lake, First Light

Mountain Lake, First Light
First light touches the top of a ridge under deep blue sky reflected in the surface of a wilderness lake, Yosemite.

Mountain Lake, First Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

First light touches the top of a ridge under deep blue sky reflected in the surface of a wilderness lake, Yosemite.

This Yosemite backcountry lake fall just short of having one of my favorite mountain lake features — having more than one outlet stream. I know of a few, including one I have visited that drains on both sides of the Sierra crest. This one isn’t on the crest, instead sitting in a shallow bowl near the upper edge of the sides of a great canyon, surrounded by gently rocky terrain and forest. The actual outlet stream (directly left of my camera position) is far less dramatic than the “almost-an-infinity-pool” outlet seen here.

Beyond the low ridge with the central tree in this photograph lies one of the great river canyons of the western Sierra Nevada. Like all of them, it eventually drains toward the Great Central Valley and then to the Pacific via San Francisco Bay. (Well, except for the not insignificant portions of the flow that are diverted these days.) Because this location is on the edge of that canyon and faces to the west, there are no taller peaks or ridges between it and the Valley and the Coast Range. I photographed this scene as the first sun was beginning to strike the ridge along that far side and early enough that the water was completely still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.