Tag Archives: ridges

Sea of Sand

Sea of Sand
Overlapping sand dune patterns, morning

Sea of Sand. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Overlapping sand dune patterns, morning

On the last day in Death Valley this spring we were planning to head off to the Los Angeles area in the morning, but I decided I wanted to photograph one more time before departing. Although I really wanted to sleep in, after many days of rising very early, I decided to get up early one more time and head back to the dunes alone for one final bit of photography. I headed out before dawn and arrived at a location I had been to before, parked the car, hoisted a backpack and tripod, and headed out across the playa toward a section of dunes where I was reasonably certain I would be able to photograph alone. The distances are always deceiving, and the playa walk took much more than the ten minutes one might guess that it would take if unfamiliar with these places. Eventually I came to the low dunes that I had been aiming for, and I began to look for places where I could make sand fill the frame.

The dunes are deceiving on other ways, too. You might imagine that they are on the march, being pushed along by winds. The wind does move sand — and it was blowing around my feet on this morning — but overall the dune forms are actually quite stable. Sometimes these active looking yet stable features make me think of a sort of stop motion ocean, with waves and crests and valley mostly frozen — a stopped landscape mirroring the active surface of water. The patterns here range from small (the little ripples in the foreground) to quite large (the overlapping crests marching into the distance.) I worked this scene and others like it for an hour, and then it was time to leave — a walk back across the playa back to my vehicle, and then the long drive out of the desert.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Sierra Ridges, Rain

Eastern Sierra Ridges, Rain
A passing squall drops rain on hills at the base of the Eastern Sierra

Eastern Sierra Ridges, Rain. Round Valley, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A passing squall drops rain on hills at the base of the Eastern Sierra

I first stopped here with a very different sort of photograph in mind. I pulled off US395 just north of Bishop in a spot where I knew I could overlook pastureland spotted with autumn color cottonwood trees and backed by the mighty eastern escarpment of the Sierra. But the weather was extremely changeable, and within minute a passing squall almost completely obliterated the view, leaving me looking mostly at a thick curtain of falling rain.

I waited a bit, hiding under the rear door of my vehicle with my tripod set up, and before long the conditions began to change again — I could see that the moisture-filled atmosphere was beginning to glow to the south where clouds were thinning and sun was illuminating the falling rain. As I watched, the distant low hills of the eastern Sierra gradually began to re-emerge. These conditions not only make the view opaque but they also desaturate the colors. Believe it or not… this minimalist landscape is a color photograph!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Receding Ridges, Rain

Receding Ridges, Rain
A squall moves across hills near the base of the eastern escarpment of the Sierra Nevada

Receding Ridges, Rain. Owens Valley, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A squall moves across hills near the base of the eastern escarpment of the Sierra Nevada

This photograph belongs to a portion of my work that I think of as minimalist landscapes. They often focus on landscapes that are largely hidden or in which some elements are obscured. Not all involve mist, clouds, fog, and rain, but quite a few do. In many of them I am trying to work with a kind of light that is very special to me, where the atmosphere itself becomes luminous, perhaps when filled with haze or fog or dust and lit from behind, producing a kind of glowing effect that can be so bright that it is hard to look into.

On this day I had, or so I thought, finished my autumn photography on this trip, and I was in my “heading home” mode. I had driven down from the mountains, where I had photographed in rain and incoming light snow earlier in the morning, stopped in a town along US 395 for coffee and something to eat, then gotten into my vehicle to hit the road. Not 15 minutes north of town I came to a familiar spot where I often stop to admire the view and sometimes photograph. I pulled over and went a ways up a side road and watched the landscape disappear behind rain and clouds as a squall moved through. I set up under the rear door of my vehicle so that I could have some shelter from the rain, and I began looking for places in the landscape where there was just enough detail to suggest its form but no more than necessary. (Trivia fact: This is a color photograph!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Sagebrush Hills

Aspens, Sagebrush Hills
Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

Aspens, Sagebrush Hills. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Backlit autumn aspen trees against a background of layered sagebrush-covered ridges

This is a different view of the Sierra Nevada — rather than the high peaks, forests, meadows, rivers, and lakes we have high desert sagebrush country, but with a few aspens as well. When I think of aspens, they first bring to mind high elevation areas of the Sierra, often near rivers or other water sources, but also in some fairly rugged high areas. I don’t, at least not at first, thing of dry and austere landscapes like this one.

These aspens grow in a transitional east slope area. The elevation is high, a bit over 8000′ in this case, but the climate is dry and more closely related to the lower east side semi-desert areas. As a matter of fact, surrounding this grove is a landscape of mostly rolling sagebrush-covered hills. As the hills lead higher toward the crest, the trees become more dense and eventually intermixed with conifers. The light on the further ridges is also an interesting story. it obviously appears when the sun is at a low angle, which on the east side most likely means in the evening, and that is when I made this photograph. There is a short interval as the sun drops in the late afternoon when it is low enough to outline the edges of ridges, but before it abruptly drops behind the highest peaks of the Sierra. I made this photograph within moments of the shadow of the high peaks arriving — in fact, during the time it took me to set up a follow-up shot the beautiful light highlighting those ridges disappeared.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.