Tag Archives: rock

Autumn Color and Sierra Crest Peaks

Autumn Color and Sierra Crest Peaks
Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

This is, as some of you may notice, a portrait-orientation photograph of a scene that I recently shared using the landscape orientation. Why two different approaches, you may ask? That could be a bit of a complicated question, as there are multiple possible reasons. Heck, you might just wonder if I was able to make up my mind! In fact, this scene “works both ways,” I think. The landscape orientation goes with the long horizontal stretch of the distant ridge and the band of colorful aspens at the bottom, and it also reveals some additional color that lies outside of the vertical image to the right. On the other hand, I think that the vertical interpretation may do a better job of presenting the scale of the vertical rise from the foreground to those towering, distant peaks. I could go on, but I’ll end by pointing out that sometimes both orientations prove useful, so I don’t shy away from doing both.

The scene is a long canyon in the Eastern Sierra that rises from the hot, dry terrain of Owens valley, ascends a long river drainage that twists and splits and gradually transitions to subalpine forest, and finally culminates well into the alpine zone with its rocky terrain and high peaks. Canyons like this one can be good places to look for aspen color in the fall — for one thing, because they cover such a large elevation range there is likely to be color somewhere within them over a relatively long period of time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color and Sierra Crest

Autumn Color and Sierra Crest
Early autumn color in a landscape of rock and forest below the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below the east side of the Sierra Nevada crest.

Thoughts of autumn have begun over the past few weeks. I can imagine all sorts of reasons. As I have written, that mysterious “something” that indicates that the seasons are changing appeared recently, right on schedule. (I attribute it to changes in light, the angle of the sun, the time of sunset and sunrise, and perhaps a few other things.) Here in the West, it may also be triggered by an intense desire to see the end of the hot, dry conditions that plague us during this time of global climate change. I miss cooler weather!

This, of course, gives rise not only to ideas about where to go to photograph this year’s color, but also to reexamination of autumn photography from prior years. This photograph comes from a few years back, during the relatively wet interval between the previous five-year drought and the current drought. I made my first fall color visit in very early October that year, hitting a few of my favorite places and checking out a few new ones that are less known. This location is more the former than the latter, a very large system of canyons draining the eastern Sierra above Bishop, full of rivers, forests, and plenty of rocky terrain leading to the crest of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Basalt Columns

Basalt columns at Devil's Postpile National Monument
“Basalt Columns” — Basalt columns at Devil’s Postpile National Monument.

The existence of this photograph can be credited to two women. The first is my wife Patricia Mitchell. We were in the Eastern Sierra in a the autumn a few years ago to photograph fall colors. On this morning we were supposed to get up early and go photograph aspens, but we were lazy — we slept in and enjoyed breakfast, which is not the typical photographer’s ritual. Devil’s Postpile seemed like a potential option for photography a bit later in the morning, so that’s where we went. Arriving, I wasn’t so sure — there were crowds and the early light was gone — and initially I was going to leave my camera behind and just walk over and take a look… but “someone” urged me to bring the camera gear along just in case.

The second woman who played an (unknown to her) role in the appearance of this photograph is friend and photographer Franka Mlikota Gabler. She recently shared a set of lovely photographs of this location, and these photographs got me thinking about my one visit to the place… and inspired me to back into the raw file archive, where I found this photograph from that lazy morning when I almost left my camera behind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Pinnacles, Fog

Coastal Pinnacles, Fog
Rocky pinnacles rise above the rugged Big Sur coastline.

Coastal Pinnacles, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky pinnacles rise above the rugged Big Sur coastline.

On some days photography is easy. It seems that subjects are everywhere, and all of them are obvious, compelling, and beautiful. But most days aren’t like that. This week’s day trip to the Big Sur coast was great but it had its challenges. Ironically, the major challenge came from the trigger for this visit: fog. California summers can be “too beautiful,” if your idea of beauty is perfect warm blue sky days. (Though such days are increasingly affected by wildfire smoke, but I digress…) I prefer more interesting conditions, and coastal fog fills the bill. But it presents some challenges, often related to fickle local conditions. The ideal is to have just the right amount of fog, which means enough to be interesting but not so much as to kill all directional light. (A tourist stopped while I was making this photograph and, obviously distressed by the near invisibly of the nearby ocean, asked “is it always like this?)

On the plus side, there is virtually always something to see no matter where you stop along the Big Sur coast, and I “discover” some new features on every visit. For no particular reason I stopped above a small bay filled with fog, and when I walked to the edge I spotted this dramatic feature below near the edge of the surf — a peninsula with pinnacles running out toward a small island nearly obscured by the fog. I set up and made a few exposures, then settled in to way for a bit more clearing. The for was right up against the coast, and there was occasional sunlight only feet behind me, so I figured that the fog would continue to dissipate. I was wrong. Even though it was midday, when the sun usually wins out over the fog, the view became more obscure and this photograph, on of the first I made, turned out to be the keeper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.