Tag Archives: row

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens in a Row

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Autumn Aspens in a Row
A row of autumn aspens in evening light, Eastern Serra Nevada.

Autumn Aspens in a Row. © Copyright 2023 G Dan Mitchell.

A row of autumn aspens in evening light, Eastern Serra Nevada.

After years of photographing near her, this row of tall and straight aspens is almost an old friend. I visit every fall, trying to time my arrival for the best color — well into the colorful phase, but with most leaves still intact. I also time it for late in the day, when this canyon falls into shade and the light softens, revealing colors and shadow details that are lost in bright midday light.

This group of trees is a welcome exception to the typical Sierra patterns of aspen growth. In photographs from other parts of the American West you may see extensive groves of tall straight aspens extending into the distance. That sort of thing is extremely rare here. The trees are often much shorter and they are frequently twisted and bent. But occasionally, where the conditions are right, the Sierra manages to produce some of the tall and straight specimens… like those seen here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Upper West Side

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Upper West Side
Steps leading to residences on the Upper West Side, Manhattan

Upper West Side. © Copyright 2022 G Dan Mitchell.

Steps leading to residences on the Upper West Side, Manhattan

Recently I’ve been sharing a steady stream of landscape photographs, most of which came from trips to photograph fall color on the east and west coasts. We were in the East twice in recent months, and both times took us to somewhat more rural areas of New England — southern Vermont in August and New Hampshire (and a bit more Vermont) in October. But both times we include some time in New York City. That lengthy introduction is all by way of warning you that there’s some Manhattan urban and street photography coming up!

I start gently with this photograph, one that you might even think of as a sort of “urban landscape.” We often stay at a place on the Upper West Side, a bit west of the Natural History Museum, since it is outside of the busiest parts of Manhattan, provides good subway access, and is closer to some folks in Northern Manhattan and the Bronx. We walk a lot while we’re there, and I photographed these steps in the neighborhood on one of those walks. The line-up of the steps intrigues me, but I also like the unusual palette of colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

White Pelicans, Pond

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White Pelicans, Pond
A row of white pelicans swims sedately in clearing morning fog

White Pelicans, Pond. © Copyright 2018 G Dan Mitchell – all rights reserved.

A row of white pelicans swims sedately in clearing morning fog.

White pelicans seem to keep to themselves at the locations where I photograph birds. I’ve gotten to know a few small groups here and there, and I’ve noticed a few things about them. During a season they seem to establish a “home base” and stick to it — and I can almost be certain to find them at the current year’s location. They stick together in groups of perhaps a few dozen, spending a lot of time clumped together near the water, seemingly doing next to nothing. In the morning they frequently fly out after many other birds have already done so. And because their groups are relatively small, these fly-outs happen quickly.

This group was a little ways from its usual spot on this day. They had swum — or perhaps more accurately, floated — across a large pond and eventually drifted quite close to me. Their passage was quiet and sedate, with little movement above the water line. Eventually they arrived at whatever point they had selected, and before long there were headed back the way they had come.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees In Sun, Cliff In Shadow

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Trees In Sun, Cliff In Shadow
Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

Trees In Sun, Cliff In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

I made this photograph on a day of somewhat ephemeral conditions. There had been snow the day before — light snow, but in very cold conditions. On this morning the storm had passed, but it was so cold that a thin layer of snow was still there. It was in the meadows, on the branches of trees, and collected on every small irregularity on the granite cliffs above Yosemite Valley. At the moment I made this photograph the sunlight, shining through thin clouds, had just arrived on the closest trees, while those in the distance remained in cold shadows.

The light and the snow patterns on the face of the granite monolith are remarkable. The small amount of snow — perhaps only and inch or two — brought the patterns of cracks and small ledges into relief, making visible features that we might overlook on a warmer day And the light on the cliff is rather blue since the face is illuminated not by direct sunlight, but instead by the giant “light panel in the sky,” which happens to be very blue!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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