Tag Archives: rugged

Photographs: Nature, Photographs: Ocean & Coast

Rugged Big Sur Coast

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Rugged Big Sur Coast
“Rugged Big Sur Coast”” — Big Sur Coast’Sea stacks and surf along the rugged Big Sur coastline.

I intentionally framed this view to exclude everything except the rocky coastline and the wild Pacific Ocean surf. The Pacific Coast Highway (US1) runs along the coastal bluffs just above those far formations, but below these bluffs the ocean and the land do constant battle, with the ocean inevitably winning as it erodes and washes away the land.

When I look at sea stacks like these I am reminded that the water’s edge was once further west, and what are now off-shore outcroppings were once part of the mainland. These peninsulas and sea stacks were left standing far out in the water as the land around them disappeared.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Central California, Photographs: Ocean & Coast

Sea Stacks and Surf, Big Sur

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Sea Stacks and Surf, Big Sur
“Sea Stacks and Surf, Big Sur” — Rough surf and rugged sea stacks along the Big Sur coastline.

California’s coast is quite varied — in places you can find classic wide beaches, but there are impossibly rugged, inaccessible areas, too. (One section in far-northern California is so rugged that engineers were forced to divert the route of Highway 1 far inland.) This photograph comes from a section of the upper Big Sur coast that combines that ruggedness with a degree of accessibility.

I visited on the late-June morning because friends and fellow photographers were visiting the area — so it was a chance both to photograph and to meet up with them. We arrived very early, before the tourist crowds, and photographed soon after the sun cleared the coastal hills and light arrived on the rugged, rocky shoreline and surf.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks and Surf

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Sea Stacks and Surf
“Sea Stacks and Surf” — Sea stacks in morning light along the rugged Big Sur coastline.

Way back in June I met up with my friends Franka Gabler and David Hoffman to photograph the upper Big Sur area of the California coast. They were there to see an exhibit of photographs by John Sexton and Anne Larsen, so I did the 90 minute drive down to Big Sur to meet them. After some confusion about who was where — and no cell service to sort it out — I finally figured out that they were on the bluffs above this area where Soberanes Creek enters the Pacific Ocean.

This is a particularly rugged section of the Big Sur coast. While it doesn’t feature the high cliffs that make other areas essentially inaccessible, here there are rugged rocky headlands and many sea stacks, especially in the shallow bay between the Soberanes Creek and Soberanes Point.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Light and Dark

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Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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