Tag Archives: rushes

Marsh, Dawn Fog

“Marsh, Dawn Fog” — Winter trees silhouetted against the dawn on high clouds above a wetlands marsh shrouded in tule fog.

Bird photography is my excuse for going to this place in the winter. But the truth is that when the birds aren’t around I am happy to photograph this quiet and mysterious landscape, especially when morning tule fog drifts in and out. On this morning there were birds, but they weren’t where I was. So I paused in this spot and others like it and photographed the subtle light and colors of the early morning foggy landscape.

A bit more about the bird photography: I’m not sure how people imagine the process of photographing migratory birds, but I suspect that they might be surprised at how it actually works. Believe me, it is not a case of spending hours clicking off perfect exposures of astonishing wildlife. That happens, but there’s a lot of “slow time” between those moments, when the experience is more about the quiet and the slowing of time and about the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Winter Clouds and Fog

Wetlands, Winter Clouds and Fog
“Wetlands, Winter Clouds and Fog” — Winter clouds and fog mute the colors and details of a wetland landscape.

Who can resist the symmetry of clouds and their reflections in still water? I know I cannot. I have photographed such things many times, but more typically the photographs feature some kind of overpowering sky — thunderstorms or a brilliantly colorful sunrise or sunset. (In fact, I’ve made a few of the latter at this very location.) But here I wanted to focus on something different, a subject that suggests the quiet and stillness of this wetlands landscape.

It was a foggy winter morning. As the fog began to thin the high clouds and their reflections became visible, although the horizon just beyond the rushes was still obscured by tule fog. Aside from the sounds of birds, it was quiet. The air was nearly still, and the scene was almost static — though to be accurate, it was simply changing very slowly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Wetlands, Clearing Fog

This “quiet photograph” of winter wetlands, clearing fog, and bits of sparse vegetation is as evocative of the experience of such places as those featuring flocks of birds and winter sunrises and sunsets. The latter are remarkable and compelling features of this landscape largely because they are exceptional. Most of the time these places are quiet and still, and never more so than on a foggy morning.

Fascinating transitions of light occur as tule fog clears. The day begins in muted, gray, even oppressive darkness, with visibility measured in feet. Because tule fog is shallow it often becomes luminous as the sun begins to rise. Then, here and there, it begins to thin and break up, and soft directional light appears. Then the blue sky becomes more clearly visible, more distant features being to appear, and remnant clouds float above the landscape, and soon it is day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetlands, Winter Sky

Recently I was thinking about a particular sort of “moment of consciousness” that I’ve experienced a few times. It usually (though not that often!) comes when I’m in a natural place where more or less nothing is happening and my pace has slowed. It is hard to define precisely what these moments are or force them to happen, but when they do come they are palpable. There’s a sense of immense stillness and of time almost stopping. For me it has come on a few occasions in the desert or in the mountains, alone on a windless and silent day..

I think it could come in a place like this, too. At one point this week I paused and just sat quietly and considered what is happening most of the time in this wetlands location. The answer is: nothing obviously remarkable. A few birds move about slowly and almost silently (until the geese and cranes arrive!), the water is still, and the sky seems fixed and luminous. I’m not sure that a photograph can embody all of that, but perhaps it can be a reminder.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.