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Sand dune patterns, Death Valley National Park — “Interrupted Dune #2” — Interrupted curve of sand at a Death Valley dune.

If you follow my posts and think that this looks familiar… you are right! It is a vertical (or “portrait”) format version of a subject that I shared earlier in a companion “landscape” orientation version. When a subject can work either way (albeit with different effects) it is my practice to capture both vertical and horizontal versions. I suppose one reason is that it relieves me of the worry that I might have picked the “wrong” option. It also puts off a final choice until later. In addition, it provides me with two visual options for the image, something that is occasionally useful. (For example, book and magazine covers tend to use vertical formats.)

Superficially this version looks a lot like the other one, though the taller and narrower format may give greater weight to the curve running between the bottom and top of the image and less weight to the darker portions of the scene. However, if you were to look at them side-by-side you would notice that the textures in the sand are subtly different, and that that colors have also shifted a bit. This photograph, like quite a few that I make in situations like this, was made in rapidly changing light conditions, and in the brief interval between the two photographs the scene changed visibly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening light at the rocky outlet of Sailor Lake with Picture Peak and Mount Haeckel beyond.

On the third night of our early August trip into the upper Sabrina Basin in the eastern Sierra I decided to grab an early dinner and then wander with my camera gear up towards the vicinity of Hungry Packer and Sailor Lakes to do some evening photography. I first went back to the outlet stream from Hungry Packer Lake, where I had found a wonderful patch of blooming lupine flowers earlier in the day. I photographed these just as the shadow line from the nearby ridge was shading them. (I’m hopeful that I’ll have a shot or two from that area a bit later.)

After finishing here I decided to more or less follow the light back to the east across the valley. This area roughly bounded by Topsy Turvy, Moonlight, Sailor, and Hungry Packer lakes is what a photographer might describe as a “target rich environment” – I’d love to go back and spend a number of days just shooting here. There are lakes, intimate meadows broken up by glacial boulders and granite benches, plenty of wildflowers, water everywhere (in lakes, ponds, and streams), waterfalls and cascades, and many small stands of alpine trees. During the good light times of the day there is more or less too much to shoot!

This photograph was made near the outlet stream from Sailor Lake and looks up toward the impressive mass of Picture Peak above Hungry Packer Lake – just as a cooperative group of early evening clouds conveniently floated behind the peak. This sort of place is what I think of most when I think of the Sierra – high, rocky areas just below timberline, threaded with streams and meadows and rocks and some trees, and with high, snowy peaks all around.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.