Tag Archives: san joaquin

Photographs: Nature

Late-Winter Fiddlenecks

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Late-Winter Fiddlenecks
Fiddleneck blossoms near the end of winter.

Late-Winter Fiddlenecks. © Copyright 2020 G Dan Mitchell – all rights reserved.

Fiddleneck blossoms near the end of winter.

Two weeks ago — it seems like years now — I made my last pre-lockdown visit to a favorite natural area on Friday the 13th of this month. We had attended our last public event a week before and were already in the process of adopting social-distancing measures — a bit ahead of the curve and a bit before such things were no longer optional around here. On this visit I minimized my contacts, traveling self-contained back and forth so that the only stop I had to make was at a local gas station when I got back home.

The experience was both rewarding and somewhat strange. The main flocks I go to see had apparently departed just a few days earlier. There was almost no one else there — normally a good thing, but strange now. Against that backdrop it was clear that even on this late-winter day spring was arriving. I paused from photographing birds to make some photographs of an exuberant patch of fiddle neck blossoms.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Redwing Blackbird

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Redwing Blackbird
A male redwing blackbird perches on winter vegetation.

Redwing Blackbird. © Copyright 2020 G Dan Mitchell – all rights reserved.

A male redwing blackbird perches on winter vegetation.

Redwing blackbirds, especially when they flock together, seem like some of the most exuberant birds in my part of the world. On the ideal morning, hundreds (or more!) of them may assemble on a tree or among reeds, chirping and singing enthusiastically… only to suddenly and unexpectedly take to the air in tightly spaced groups whose flight patterns are amazing.

I didn’t have quite that experience on this occasion, but it was still a worthwhile moment. This bird was perched by itself on this winter wetland vegetation. As the male birds do, he was showing off his bright red wing patches as he faced m , with the wetland landscape barely visible in the distant background

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Central California, Photographs: Imaginary Landscapes, Photographs: Nature

Winter Landscape

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Winter Landscape
A California winter landscape photograph reduced to its compositional fundamentals.

Winter Landscape . © Copyright 2019 G Dan Mitchell – all rights reserved.

A California winter landscape photograph reduced to its compositional fundamentals.

This photograph fits into a category I describe as “imaginary landscapes,” a type defined loosely by where it sits along the continuum between supposed representational reality and abstraction of landscape-derived materials. That might seem an overly-wordy way to describe it, but I’m always cognizant of the fact that no landscape photograph is truly objective or fully “real” — all photographs and certainly all landscape photographs necessarily are subjective. This could be due to something as basic (and obvious!) as the fact that the photographer chose to point the camera at some specific thing (and not at other things). It includes equipment choices( length of lens, aperture, etc.), basic interpretive choices (color or black and white, and how to handle either of those), and much, much more. In my “imaginary landscape” photographs I think I’m simply making this stuff more plainly obvious.

This one also illustrates, I think, something that figures into the landscape (but not just landscape!) photographs of virtually every photographer that I know of — the photograph is not just about the ostensible subject of the image. For most photographers other things also appeal — the shapes of things, their colors (a huge topic, by the way), how the components fit together, how things may be suggested rather than declared, and more. Allow me to make a musical analogy here. There’s a famous (or infamous) piece by composer/philosopher John Cage called 4’33”. In it a performer, takes the stage in the manner of any classical performer, then sits in front of a (usually) piano silently for 4′ 33″. One way to look at this is to recognize that Cage gave us every element of a musical performance but the one we think is central, thus forcing us to think about all of those “other details” and their central role in our perception of music. A photograph with no details (“the horror!”) may work in a somewhat similar (though not quite identical) way. Or maybe you just like the colors? ;-)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Cranes, Fog, Island

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Cranes, Fog, Island
A small flock of sandhill cranes at the edge of a small island and reflected on a pond on a foggy morning

Cranes, Fog, Island. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small flock of sandhill cranes at the edge of a small island and reflected on a pond on a foggy morning.

Sometimes I photograph birds (and other subjects) accompanied by various friends and fellow photographers. Other times I go alone. I enjoy both, though there is something special about being “out there” in the wilds on my own as I was on the morning when I made this photograph. Working alone (and sometimes working with kindred spirits, too) allows a kind of intense focus on the subject that borders on obsessions. But, perhaps ironically, it also permits a sort of slow and aimless work that simply allows things to happen.

This was that kind of morning. I was, indeed, quite focused on locating and photographing birds and the foggy morning landscape, and an observer might have wondered when I occasionally stopped and worked one subject for extended periods of time. These cranes were standing in shallow water, and I watched them for some time until they finally seemed to have had enough of me, and they took flight and departed for some distant location.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.