Tag Archives: san joaquin

Cranes, Dawn Clouds

Cranes, Dawn Clouds
A flock of sandhill cranes flies beneath dawn clouds

Cranes, Dawn Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies beneath dawn clouds.

When I began photographing (mostly) migratory birds in the Western United States I was largely ignorant about what I was seeing. One of my first bird photography forays was essentially an accident. I happened to run into a friend in a coffee stand line one morning and she (who is a true “birder”) happened to say, more or less, “I think you might like to go visit this place I know of.” Given the way I sometimes work, that serendipitous nudge was sufficient to get me to drive a few hours before dawn the following weekend to visit this place I’d never heard of before. I arrived. There were tons of birds. (And I discovered the power of the sound of the birds, too!) I had no idea what I was seeing, but I liked it and I made photographs. I was hooked.

As I started to edge over toward an active compulsion to photograph birds more seriously I began to recall a earlier hints about this world that I had ignored. One was all the way back in a college “natural science” short course, where the prof (who seemed a bit “odd” to me then) went on about snowy egrets (which I mostly ignored) and made us read Aldo Leopold’s “A Sand County Almanac.” I didn’t fully “get” Leopold’s book at the time, but it planted a seed. (Re-reading it years later I understood more fully the power of Leopold’s vision and his writing, and I recommend the book.) One thing that I DID retain from reading that book was an idea that there was something special about sandhill cranes, which were among the birds that I finally discovered in the real world on that first morning when I acted on my friend’s coffee line suggestion. The birds in this photograph are sandhill cranes, which seem to me increasingly to be magical birds. In fact it is their characteristic cry that is my strongest audio association with the places where wild birds are found. I photographed this group very early in the morning as their trajectory took them below the edge of dawn-tinged clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Pond, Evening Sky

Pond, Evening Sky
A quiet wetland pond reflects a cloud-streaked late-autumn evening sky

Pond, Evening Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

A quiet wetland pond reflects a cloud-streaked late-autumn evening sky.

Often when I am photographing in places like this one I am there to find some “event” — something interesting that happens and which emerges from the background of less exotic things. If fact, on this evening I was there looking for something that I perhaps didn’t quite find — the intended subject was less present than I had hoped and the light played out differently that I expected.

On the other hand I did find something that may be equally rewarding and perhaps almost as difficult to find — a moment of deep quiet and stillness in the list minutes of daylight on this evening. The last bits of sky color faded among the linear clouds, reflected on the surface of a quiet pond, interrupted by a few plants and the ripples left from departing birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands, Autumn Tree

An isolated tree with autumn foliage and a foggy wetland morning

Wetlands, Autumn Tree. © Copyright 2018 G Dan Mitchell – all rights reserved.

An isolated tree with autumn foliage and a foggy wetland morning.

This colorful tree illustrates something I learned about California (and western states) fall color some years ago — namely that it lasts a lot longer than you might think! I can often spot a few first hints of autumn color in the Sierra Nevada high country as early as late August, when corn lily plants start to go dormant and turn yellow and then brown. Soon after that some meadows begin to turn red as bilberry changes colors and a few yellow aspen leaves turn up here and there. By late September there is plenty of color in the highest elevation areas, and it works its way down to the road-served front country by or before the start of October. The color continues to descend to valleys at the base of the eastern Sierra throughout October, and by the start of November there is a lot of color in the western Sierra foothills. This color spreads throughout the state’s lowlands through November and right on into December. A month ago, close to Christmas, I saw beautiful cottonwood color along a Southern California river.

I photographed this wetland tree (though there may be more than one on the small island) a few days into December, on a morning that was technically late-autumn but which felt more like winter. It had been foggy at sunrise, but as the morning wore on and the sun rose higher the fog began to thin. This soft light highlighted the yellow and folder colors of this quintessential California scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

White Pelicans, Clouds

White Pelicans, Clouds
Four white pelicans in a cloud-filled California late-autumn sky

White Pelicans, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Four white pelicans in a cloud-filled California late-autumn sky.

My timing was fortuitous on this morning. The white pelicans usually congrats in groups that appear to contain a few dozen individuals. The often stay more or less in one place for long periods of time, but eventually they decide to move. They take off in long strings of individuals, generally flying past not too far off the ground. This happens suddenly, and if I’m not in the right spot, rather than being close enough to photograph them I watch the brief spectacle from a distance. On this day I just happened to be in the right spot at the right time.

I think of the white pelicans as being special. Perhaps most people wouldn’t, being mostly familiar with white versions of the bird. But I had a long acquaintance with the coastal brown pelicans before I ever realized that the white version was found locally. I’m sure they were around, but someone I didn’t notice — today I see them in quiet coastal waters, in inland ponds, and more. But even today, the coastal birds seem familiar and conventional to me, while these white birds still seem a bit exotic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.