Tag Archives: san joaquin

Geese, San Joaquin Valley Sunset

Geese, San Joaquin Valley Sunset
Geese, San Joaquin Valley Sunset

Geese, San Joaquin Valley Sunset. San Joaquin Valley, California. December 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Geese fly toward the setting sun, San Joaquin Valley, California

Photographing these migratory birds involves an interesting combination of planning, intuitive response to the circumstances, and just plain raw luck. (In truth, that is the case with almost all photographs of almost all subjects, but that is probably a subject for a different post at another time.) All of those things were certainly at work in this photograph.

I often photograph in this general area at this time of year – ostensibly because of the migratory geese and cranes and other birds, but also because I love the diverse conditions of light and atmosphere here in the winter (and near-winter) months and the simple landscape. So the choice to be at this location at this time of day was no accident. (A bit more information: I was returning from Death Valley and I had organized this final day specifically so that I would have one hour at this location at sunset on the return trip.) In addition, when I found a large flock of geese in a field – in a place where I know there is a good chance I’ll find them – I positioned myself intentionally to the east of the flock so that the colorful light would be behind them as the day ended… or to their side. In addition, since I’ve photographed this subject before I have a pretty good idea of how to set up my camera to deal with the failing light combined with direct sun and birds in motion, even anticipating how I may have to work the images in post-production. But luck and intuition play an undeniable role in photographing this subject. While I can make some guesses about how the birds will act, I have no control over them at all – and I have to take what they give me. On this evening, they were mostly taking flight away from me and toward the mountains, though certainly not always with the sun behind them. Occasionally large groups would take to the air together, and I would simply track them and fire when it seemed best. Here is where another bit of intuition comes in. While I cannot control how the birds appear in relationship to their surroundings, I can manage to watch birds and landscape as both move in the viewfinder and think about composition even while everything is in fast motion – and, when it all works out, think about how momentary arrangements of the birds do or do not “work” with the light and the landscape. To end with an acknowledgement of how much I cannot control, it was simply fortuitous that this thick flock happened to wheel in front of the distant mountains just as the last edge of the sun was about to slip below the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Virga, San Joaquin Valley

Sunset Virga, San Joaquin Valley
Sunset Virga, San Joaquin Valley

Sunset Virga, San Joaquin Valley. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Momentary sunset light on virga and clouds of an incoming late-autumn weather front above California’s San Joaquin Valley

As I mentioned in my previous post, this mid-December day was one of variable weather and sky conditions that ranged from fog to clear to mixed clouds to the arrival of a weak weather front that completely block the light at times. We spent the entire day mostly photographing migratory birds in this wetland area, but also making some landscape photographs when the birds were less available.

After a lunch break at a nearby town we returned for the afternoon and evening light and the prospective fly-in of geese and cranes. We always have an eye on the sky, trying to imagine and predict what the evening might bring, and the prospects did not look too encouraging. I love clouds… but out here too many clouds can simply kill the light that can otherwise become very interesting late in the day. As the afternoon wore on towards evening, it looked more and more like the light was perhaps not going to improve, and bands of thick clouds frequently blocked the sun, leaving mostly a sort of gray haze where we were. Occasionally the clouds did thin and we had moments of interesting light and sky, but overall things seemed to be heading in the gray direction. (This happens. If you shoot enough you will have days of utterly astonishing light, balanced by days when the light is simply blah. You make what you can from the light that you find, and usually something works.) Then, to our complete surprise, a few beams of sunset light found their way through small breaks in the clouds to our west, and for perhaps five minutes we had a light show as cloud bottoms and virga were gently lit from below, turning shades of red and pink and purple.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Wetlands and Evening Sky

Wetlands and Evening Sky
Wetlands and Evening Sky

Wetlands and Evening Sky. San Joaquin Valley, California. December 18, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening sky reflected by the surface of San Joaquin Valley wetlands

The late fall, winter, and early spring seasons bring to most interesting skies to California’s Central Valley landscape. In the summer – when, frankly, I most often drive through here on the way to some place else – the sky is mostly just plain blue with the typical amounts of haze. (Contrary to popular opinion, the LA Basin is not necessarily the location of the worst air in California – that “distinction” actually belongs to portions of the Great Valley.) But in winter there seems to be much more variation and conditions can sometimes change quickly – as they did on this photography day in mid-December.

While it can often be very foggy in this part of the Valley, on this day there was only light fog in the early morning and some lingering haze. This actually turns out to be beautiful light for photography as the haze mutes and softens the light in ways that I love. By midday the light was, well, midday light – and we took a break in a nearby town for lunch. When we returned to the field by mid afternoon early clouds from a weak approaching weather system were beginning to appear. When a really big front comes through at this time of day, the light is basically switched off – but this weak front brought alternating bands of blue sky, partial clouds, and thick clouds that blocked the light. For a few minutes before the end of the day everything turned blue – sky, water, and clouds – and I stopped to take of my long birding photography lens and use a wide-angle to make a photograph of this scene that is almost entirely sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Dusk

Ross's Geese, Dusk
Ross’s Geese, Dusk

Ross’s Geese, Dusk. San Joaquin Valley, California. December 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of Ross’s geese takes flight in hazy dusk light

I try to visit California’s San Joaquin Valley as often as possible during the fall, winter, and early spring months when migratory birds settle in for the cold season. The sounds of the birds and the sight of flocks of them setting in or flying overhead is addictive – so much so that I’m willing to go to somewhat great lengths to experience this. Most often this means getting up way before dawn, often on very cold mornings, and driving a couple of hours into the foggy landscape of the valley and then photographing for hours in the cold. I’m not complaining – I love doing this! I also have what has become an annual routine connected to my periodic Death Valley photography trips. I try to arrange my schedule on the last day in Death Valley so that I can do a morning shoot there, quickly strike camp and pack up, and leave soon enough that I can stop to photograph birds on the way home. (The two worlds – the dry, austere world of Death Valley, and the cold, damp, and bird-filled Central Valley – could not be more different.)

This photograph is one of several (well, OK, more than “several”) I made during a one hour stop at some valley wetlands at the end of the day on the long drive home. I arrived, did a quick reconnaissance around the area, discovered a large flock settled in along a gravel road in a pasture, and settled in to watch the evening’s events. I recall a time when I was disappointed when the light faded, since it eventually became too dark to maintain shutter speeds that would stop the motion of the geese as they flew in, out, and around. But it didn’t take long to discover that continuing to shoot in the fading light and accepting the slower shutter speeds led to motion blur would let me present the birds in a more abstract way, but one that is in many ways as true as isolating a moment of seeming stillness in a scene that is actually full of motion. I now look forward to this time of low light, when I can make photographs that might possess a bit more mystery.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.