“Autumn Trees, Red Rock Cliff” — Cottonwood trees with fall foliage in front of a red rock cliff, Capitol Reef.
From what I’ve seen, the fall color season in Utah can be lengthy. On my visits I’ve seen the tail-end of aspen color at the beginning of October, implying that it peaks in late September. Out in red rock country the cottonwoods and oaks and other trees transition a bit later. And although I’ve never timed it quite right, I hear that great color is to be found in Zion Canyon in early November.
We stopped to photograph these trees in Capitol Reef National Park on our drive back to camp from a day of photographing in a remote region of the park. It was late afternoon and the light was not going to last a lot longer, so we pulled over a short distance from our campground and worked with these trees growing right in front of a sandstone cliff.
“Morning Fog, Autumn Forest” — Morning fog darkens a dense autumn forest.
Sometimes there are photographs in (almost) your own backyard. As much as anyone else, I enjoy traveling to beautiful places to make photographs. But I can’t go to such places all the time, so it is fortunate that there are plenty of interesting things to see close by. In my area that might include the redwoods or the Pacific Ocean… or just a nearby rural area at the right time of year.
I made this photograph along a road that is far from famous. (Perhaps the only people who would know about it are those who pass by on their way to a nearby local park with hiking trails). But around here, in the San Francisco Bay Area, there are lots of little spots where trees grow thickly and where fall colors continue right on into December.
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.
Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.
Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.
“Autumn Hillside” — Aspens and other autumn foliage, Utah.
This is another photograph from “nowhere in particular,” a location where I often find myself while searching for subjects. It turns out that there’s a lot of interesting stuff to see there if you slow down a bit and keep your eyes open. This slope is on the west side of a range of Utah mountains that overlooks much lower desert country, and I photographed it late in the day when the light was warm-toned and soft.
I suppose that this photograph violates a few of the “rules” about having a clear primary subject and so on. But here the main focus isn’t a single thing — it is the overall wash of color and texture on this hillside. Where is this spot? I can say that it is in the Dixie National Forest, but that is about as specific as I’ll be!
