Tag Archives: security

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Window, San Francisco

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Window, San Francisco
A window covered with security bars

Window, San Francisco. © Copyright 2019 G Dan Mitchell – all rights reserved.

A window covered with security bars.

If this were my window — on this particular street, in this particular position, in this particular city — I suppose that I would install a security system like this, too. (It isn’t exactly a “bad” area, but it is one where many thousands of people walk past daily, and the window is right along the sidewalk.)

But that’s not really why I made the photograph. I thought the gently suffused lighting was attractive, and I liked the combination of colors, shapes, and light and shadow. Aside from whatever intrinsic value or meaning this photograph may (or may not) have, it is another example of the fact that there are things to see everywhere, and that, in my view, photographing them is a useful way to “tune up” your ability to see things that not everyone might notice.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

W!

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W!
Colorful painting and graffiti on metal door, New York City

W! © Copyright 2018 G Dan Mitchell – all rights reserved.

Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Security Shutters

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Security Shutters
Partially closed security shutters in front of a San Francisco business

© Copyright 2015 G Dan Mitchell – all rights reserved.

Partially closed security shutters in front of a San Francisco business

There are many things I enjoy about doing street photograph, and several of them have to do with the fast-moving and spontaneous nature of the pursuit. The urban environment, at least once you start seeing its possibilities, can be an almost overwhelmingly rich source of potential subjects, to that point that I often have to make a subconscious choice to deal with only a subset of them at any given moment. For a while I may focus on color, then I may engage with human subjects, then it might be effects of light, or balances of shapes and mass, or tiny details, or…

As we turned down this block between Stockton and Grant during an evening of night street photography in San Francisco, for some reason I made one of these gear changes. Moments before I had been photographing people and the fronts of shops that were closing up for the day — but as I walked down this street I forgot about all of that and instead photographed mostly small details such as the accordion pattern of this security panel over a window.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Urban Life, Manhattan

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Urban Life, Manhattan
Urban Life, Manhattan

Urban Life, Manhattan. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A woman sits in the sun on a stone bench against the wall of an urban building and beneath the shadows of lights and a security camera

I often wonder at the urban environment and how some places seem completely disconnected from the natural world that is how home. (No, I’m not an anti-urban or anti-city person, and I really love visiting New York. But still…) The almost entirely constructed environment is, in many ways, a marvel. The noise, the people, the constant motion can all be energizing. But eventually, at least for me, I reach my limit and I need a quiet time out to recover. And from time to time I need to completely escape from places like this.

I was just below Central Park one morning, where I had gone with a plan in mind of walking the perimeter of the park and photographing. (I almost completed this goal before the day ended, but ran out of time just a bit short of where I had started, when I realized that I was to meet up with some other people.) Before starting up the east side of the park I first went south a bit looking for breakfast and coffee, and I found this small courtyard near when I ate. I saw several things here that drew me to make a photograph — the solitary figure on the bench looking out of the frame, how small the position of her body and her position within the frame makes here appear, the cold and lifeless nature of the space in which she sits, the slightly ominous lights and their shadows above, and the even more ominous small security camera at upper right, probably watching and recording everything… including me as I made my photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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