An accidental geometric abstraction of shapes formed by metal tubes of racks and railings and their shadows, San Francisco
On a late-Spring visit to San Francisco on the weekend when SFMOMA was last open before its two-year closing for remodeling and expansion, I arrived on the Caltrain from the South Bay very early in the morning and had time to wander the streets a bit before going to the museum. At one point I walked past a place close to the museum, a spot I have walked by many times before, and spotted this junction of lines, curves, shadows, and light and dark space.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A solitary tree stands on granite slabs among glacial erratic boulders against the dark background of a granite face in shadow
I have previously posted a few photographs from this early August four-day shoot in Yosemite, when I ranged between about Olmsted Point and Mono Lake for about four days. The photography was a bit strange compared to more normal years – there was smoke in the air from a fire near Mammoth Lakes and there was not much water due to the drought afflicting the mountains after a second very dry winter. So some of my photography instincts may have been challenged a bit, and I had to adapt to conditions – sometimes ending up shooting in a different place than planned when the haze was too thick, sometimes using the haze as part of the photograph, and also ranging a bit more widely than I might usually do.
On this morning I had decided to “work” that area between roughly Tenaya Lake and some rocky slabs a bit past Olmsted Point. I began at Tenaya just before sunrise, but the smoke haze was making things difficult. I made a few photographs along the curving shore as the first sun hit nearby ridges, but I wasn’t especially happy with the atmosphere or the color and quality of the light so I moved on. The slabs and domes along the road to the west of Tenaya Lake, which track the road for some distance and spread well beyond the road itself, have been an ongoing subject of interest to me. While the sun had hit the highest peaks by the time I got there, it had not quite worked its way down to these slabs, so I found some likely groups of glacial erratic boulders and various small trees and made some photographs. In this one, a single tree stands beyond a group of large boulders that had just been hit by the first light, and across a nearby canyon large granite walls are still in shadow.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The earth’s dusk earth shadow rises behind the folds of an oak and grass-covered Sierra Nevada foothill ridge on a late-summer evening
We had been in Mariposa, along the road heading towards Yosemite Valley, to meet up with friends and do various other fun things. As is often the case, at one point the conversation turned toward the photographic possibilities for later in the day. As the horrendous “Rim” fire was burning a few ridges over along the boundaries of the park, one thought was to find a high viewpoint and try to photograph the huge smoke clouds and the light from the flames during the dusk hours. A suggestion was offered by a person who knows the area concerning a gravel back-road to the top of an area ridge from which a good view might be obtained, so we decided to give that a try. It was a beautiful early evening – no smoke here – as we drove through oak and grass-covered hills below Mariposa to pick up this route and then ascended toward the ridge to turn off on the gravel road. From the junction we could see columns of smoke from burning forest to our north, but there was also a pretty clear “No Trespassing” sign posted along the road… so we decided that we should double-check our directions before risking a citation, and we headed back down the mountain.
The alternative plan had been to simply photograph the beautiful foothills themselves as the day came to an end. In this area there are many beautiful valleys of rolling hills covered with dry grassland and oak forests that sometimes thin to individual trees. We headed along a little back road and soon arrived at our main route shortly before the last sunlight was about to fade. Driving as we looked, we finally stopped at a turnout right after the sun had dropped below the horizon, where we could see the boundary between the last pink color in the sky and the rising blue line of the earth’s shadow. I used a long lens to make a small number of exposures shooting across the hillside patterns towards an oak-topped ridge with the dusk sky beyond.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An empty cobbled London street runs beneath an underpass and next to brick buildings and walls.
Although it is the wrong city, this might be an example of me channeling my “inner Atget.” I’m not 100% positive where I made this photograph, though I could probably figure it out precisely if I thought it was important, but I think it may have been in the area near the south bank of the Thames between the Southwark and Millennium Bridges where I did a lot of wandering on a couple of occasions.
Either because I waited until they all moved out of the frame or because I somehow managed to find a deserted spot, there are obviously no people in this image, so it works as a sort of urban landscape but also street photography. As in at least one other photograph I made in this area, I’m shooting from inside a darkened tunnel or underpass and towards a sunlit area beyond, and again the reflected light shines on the smooth cobbles of the street. To my eye, the curve of the wall and sidewalk in the dark tunnel and the light coming from the right side of the frame suggest some space and structure to the right of the image that cannot be seen.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
