Tag Archives: shadows

Shadows on the Plain

Shadows on the Plain
Cloud shadows move across Carrizo Plain and the hills of the Temblor Range.

Shadows on the Plain. © Copyright 2023 G Dan Mitchell.

Cloud shadows move across Carrizo Plain and the hills of the Temblor Range.

This year we only had a few hours to visit the Carrizo Plain, where wildflowers emerge for a few weeks in astonishing abundance during wet springs. We extended our Death Valley trip by a day so that we could loop though the National Monument on the way home. Road conditions delayed our arrival a bit, and rain showers were passing through when we got there, but as it cleared we could see extensive fields of flowers extending across the valley and rising into the hills.

There’s a special significance to the hills in this photograph. This is the escarpment of the great San Andreas fault, which runs thought this part of the state like a giant scar. The terrain is rough and displaced by the lateral movement of eons of earthquakes… and softened here by a garland of yellow flowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Distant Mountains

Distant Mountains
The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

Distant Mountains. © Copyright 2023 G Dan Mitchell.

The east escarpment of the Panamint Range rises above Death Valley Hills in morning light.

As I keep saying when I post Death Valley photographs (yeah, broken record…) the distances there are immense. As a result, atmospheric haze often has a distinct effect on photographs of the larger landscape. This can be challenging — the effect on colors is not always attractive. But it also can enhance the sense of depth in the image. A friend of mine refers to the effect as “atmospheric recession,” though I understand that the better known term may be “atmospheric perspective.” The colors shift, contrast decreases, and fine details can be diminished.

This photograph clearly makes use of the effect. I was photographing across Death Valley from an elevate position with a very long focal length. The low foreground hills are a good distance away, but not so far that they are strongly affected by haze — thus the greater contrast and especially the dark shadows. But the lower slopes of the Panamint are many miles away, and the haze has a big effect of their appearance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Concrete Wall Detail

Concrete Wall Detail
Shadows from nearby branches fall across a crached and weathered concrete wall.

Concrete Wall Detail. © Copyright 2023 G Dan Mitchell.

Shadows from nearby branches fall across a crached and weathered concrete wall.

The garden where we recently photographed — where I made my recent flower photographs — is on the grounds of a historic San Francisco Peninsula estate that was once the home of some very wealthy people. Today the facility is open to the public and features tours of the mansion and the extensive gardens. This detail photograph was made in a patio area at the mansion.

Like many photographers I am fascinated by patterns, forms, and textures. I’m sure that this section of concrete wall was once, long ago, a new and perfect thing. But it has weathered in the intervening years. There are patched cracks, a few missing edges here and there, and it appears that lichen is starting to grow in places. The darker slanted lines are shadows of branches above the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes and Shadows

Dunes and Shadows
Low angle light casts shadows across sand dunes, Death Valley.

Dunes and Shadows. © Copyright 2023 G Dan Mitchell.

Low angle light casts shadows across sand dunes, Death Valley.

Sand dunes provide a virtually infinite range of photographic subjects, from the shapes of the tallest dunes down to the footprints of tiny creatures. In many ways, they are canvas on which the light paints, creating changing patterns of light and shadow and changing colors throughout the day. Sometimes the changes are very slow and the scene can appear static, for example during the midday hours. At other times the light changes so fast that it is easy to miss.

I photographed this dune scene when the sun was low in the sky, casting long and deep shadows across the large and small patterns. Not all dunes are so extensive, but these stretched away into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.