Tag Archives: shadows

Zigaretten

Zigaretten
A cigarette vending machine along a street near Heidelberg, Germany

Zigaretten. © Copyright 2022 G Dan Mitchell.

A cigarette vending machine along a street near Heidelberg, Germany.

I cannot say if these things are still around in Germany, but they were back in 2016, much to my surprise. (I haven’t seen anything like them in the USA in years.) This is another “rediscovered” photograph that I came across while going through older files. One side effect of that is that I’m not quite exactly sure where I made the photograph! I think it was in a small village up the Neckar River from Heidelberg.

One challenge that I like to play with is making photographs out of subjects that seem superficially very mundane, here a vending machine attached to a wall. But there are a few layers of “what else” this photograph is. I contend that the play of light and shadow is both compositionally interesting and actually kind of “pretty.” And the subject itself makes me think about how times have changed from when I was younger and smoking was ubiquitous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ridges and Shadows

Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pink Wall, Midday

Pink Wall, Midday
A pink wall in midday light, interrupted by shadows, San Jose.

Pink Wall, Midday. © Copyright 2022 G Dan Mitchell.

A pink wall in midday light, interrupted by shadows, San Jose.

This is another of my photographs-while-walking, made on a recent midday walk not too far (perhaps a couple of miles) from my home. Fortunately, we live in an area with excellent walking potential. It includes residential areas, a few urban trails, some interesting light industry zones, some older neighborhoods, and more.

I always carry a small camera with me when I walk. Most of the time it stays in the bag, but every so often I see something that makes me glad I have it. I’ve long been intrigued by otherwise-forgettable bits of the urban environment — an unusual paint job, some odd object that the owners may have forgotten, a small evocative scene, and more. Here it was the juxtaposition of colors along with the long June midday shadows. (And with that, it is time to head out on today’s walk!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand Patterns

Sand Patterns
Varied sand patteres on a fold in dunes at Death Valley National Park.

Sand Patterns. © Copyright 2022 G Dan Mitchell.

Varied sand patterns on a fold in dunes at Death Valley National Park.

One of the myths about sand dunes is that their features are in motion, being blown across the landscape by winds. The fact that so many features — ripples, waves — remind us of water reinforces the illusion. But here the fluidity is of a largely static sort, and these features tend to remain in much the same place over long periods of time.

The reasons that dunes come into existence begin to be obvious when ou get to know them. They tend to be in windy places where natural features obstruct, divert, and slow the winds, causing them to drop their load of airborne dust and sand. While these broad features are easy to understand, I remain mystified by the smaller scale features like those seen in this “intimate landscape” photograph — the waves, ridges, valleys, drop-offs that also tend to remain fixed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.