This seems to be the week for photographs involving a combination of preparation and serendipity. I made an unsuccessful attempt to photograph these buildings a year or so ago. I managed to get spooked and learn a little lesson in the process. Most of the time night photography is a quiet, peaceful, and slow experience. There are often very few other people around, and in the darkness you can be entirely alone. Much of the work is done slowly – wandering around looking for compositions in the near darkness first, and then waiting for long exposures to complete. On that first attempt with this subject I had set up in an abandoned parking lot next to these buildings and was standing quietly by my tripod when I heard the sound of a fast-moving car. A sixth sense told me to pay attention… and in seconds a car came speeding around the corner of a nearby building and into the parking lot! I don’t think I’ve ever grabbed my gear and run so fast! (The resulting photo is sort of funny and captures my panicked escape after perhaps 2/3 of the exposure had completed – the image of the buildings is there, but superimposed on it is a wild pattern of light formed as I spun around, carrying the camera without even taking time to close the shutter.)
Since then I wanted to try photographing these buildings again. Late in the evening of this recent shoot I noticed translucent clouds passing overhead. When such clouds are lit from below and have a chance to moving during long exposures they form interesting patterns. I quickly headed toward that same notorious parking lot… and this time found a safer spot on a raised sidewalk, which also gave me a better angle on the buildings. The clouds were moving away and to the right, so I had to work quickly to get set up and start exposures. The first one (not shown here) was a slightly wider shot. Then I thought about the zig-zagging angles and shapes of the buildings roof lines and corners and noticed that the same shapes were mirrored in the shadow cast by a nearby building. With this in mind I decided to try a tighter crop on the buildings, and I ended up with this photograph.
(Edited and updated in January 2025)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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