Tag Archives: sky

The Storm Clears

The Storm Clears
A Sierra Nevada summer storm clears at sunset.

The Storm Clears. © Copyright 2022 G Dan Mitchell.

A Sierra Nevada summer storm clears at sunset.

Before I get too far into the background of this photograph, has anyone else noticed that the ways to title a photograph of (yet another) clearing storm are… limited? That aside, this was one of the most spectacular Sierra backcountry evenings I have experienced. After essentially two days of rain, some of it extremely heavy, the storm finally began to break up in the late afternoon, and we were able to venture out. I began by photographing post-storm fog drifting around the valley, but before long the thinning clouds to the east began to put on a wildly colorful show. As that finished I turned my attention back toward the ridge to our west. The fog and clouds there were breaking up, too, and the very last sunlight of the day back-lit clouds above the crest.

This was not an easy photograph, both to “capture” at that moment and to work with in post. As you may be able to imagine, technical challenges included a very wide dynamic range, great contrasts in coloration, the position of the drifting fog, and more. Among other compensations, now when I look at this photograph I am transported back to the sights and sensations of that wonderful evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Lake, New Hampshire

Autumn Lake, New Hampshire
“Autumn Lake, New Hampshire” — Autumn colors reflected in a northern New Hampshire lake.

Since this year’s New England visit for fall photography was our first, we decided to combine some sure-bet locations with enough time to go out and explore. Our sure bet was in New Hampshire’s White Mountains region, and it was as spectacular as the descriptions suggested. With the help of good luck and good advice, we managed to be there at exactly the peak of fall color. After our first day visit to an obvious, iconic location, we started to push out the boundaries a bit, turning up various roads that took us elsewhere, and discovering interesting things in the process.

We stopped at this lake during a long, looping drive that took us further north. The tall ridges of the White Mountains aren’t seen here — this is a region of rolling hills that is appealing in a different way. We stopped at this lake because it provided open views and the water came right up to the roadway. Once we got out and went to work we saw more ways to photograph it. In addition to the obvious nearby trees and the reflection of those trees and the sky, the distant hills are also blanketed by autumn colors.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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The Urban Wilderness

The Urban Wilderness
“The Urban Wilderness” — People climb on a rock outcropping at The Lake, Central Park, New York City.

This photograph comes from a well-known, popular rock outcropping along the shore of The Lake in Manhattan’s Central Park. I made the photograph on an October morning as we killed time before heading to the airport for our flight back to the West Coast. We wandered across the park, down the East Side to the Columbus Day parade, and then back to our hotel. One thing that struck me about this scene was how familiar the appearance of the people climbing the rocks was — I could find a similar scene in the Sierra..

I enjoy the parallels between photography of the urban and natural worlds. There’s no denying that they are rather different, but I think there are similarities,. too, and I’m able to apply my experience photographing the natural world to urban photography. It is possible to see the human presence in the city as almost a kind of wildlife — and photographing people and wild life can be challenging in similar ways. The city also presents a landscape, and the same principles that work in wilderness can work here, too. ( I sometimes think that the particular landscape in this photograph, with those ridiculously tall and slender buildings, may have more I’m common with movie depictions of cities on distant planets!)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

An Ancient One

An Ancient One
“An Ancient One” — An ancient bristelcone pine standing alone on a rocky ridge, White Mountains.

During my recent trip to photograph Eastern Sierra fall color I spent one day high in the White Mountains. This range (one of multiple “White Mountains” ranges in the USA!) lies to the east of the central Sierra Nevada, running south from roughly Boundary Peak, the tallest in Nevada, to Westgard Pass, which separates the range, somewhat arbitrarily, from the Inyo Mountains. It is a high, remote, dry, and largely unvisited range in the rain shadow of the Sierra Nevada. Although it rises as high as the Sierra, it lacks that range’s rugged, sculpted peaks — much of its high country is more of a rounded moonscape. It is one of the prime locations for bristlecone pines.

The bristlecone pines are remarkable trees. They are among the very oldest living things — some may be close to 5000 years old. Surprisingly perhaps, the oldest grow in some of the most rugged and least hospitable places. It seems that the struggle strengthens them, and these “old ones” are characterized by resistance to exposure and the appearance of being more dead than alive — the trees sacrifice the majority of their branches in order to sustain a few remaining living portions. Their remarkable character and great age always cause me to slow down and ponder.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.