Tag Archives: smoke

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne Canyon, September

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Tuolumne Canyon, September
Wildfire smoke colors the morning light on domes above the Tuolumne River, Yosemite National Park.

Tuolumne Canyon, September. © Copyright 2021 G Dan Mitchell – all rights reserved.

Wildfire smoke colors the morning light on domes above the Tuolumne River, Yosemite National Park.

Back in 2014 a group of us spent a week photographing in the Yosemite backcountry. We packed in to our first locations, spent a few days there, then moved along and ended up near the location of this photograph in the canyon of the Tuolumne River. While many have an impression of the Tuolumne formed by its leisurely passage through the Tuolumne Meadows area, other sections present a very different view.

Our stop here coincided with a very destructive wildfire in Little Yosemite Valley, and on the afternoon of our arrival the smoke had block the sun as ash floated down from the sky. Later much of the smoke blew in other directions, yet there was still a general smokiness in the atmosphere. That slightly brown haze colored the light in this early morning view of the canyon of the Tuolumne River.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Lake, Wildfire Smoke

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Autumn Aspens, Lake, Wildfire Smoke
Wildfire smoke drifts over the Sierra Nevada crest above a lake surrounded by autumn aspens

Autumn Aspens, Lake, Wildfire Smoke. © Copyright 2020 G Dan Mitchell – all rights reserved.

Wildfire smoke drifts over the Sierra Nevada crest above a lake surrounded by autumn aspens

This is one of several photographs I made of this Eastern Sierra lake near the peak of autumn color this fall. I photographed it from two perspectives, both of which I had decided on ahead of time. The first was from a slightly elevated position at a somewhat different location, a spot that provided an interesting view of some iconic aspen trees. This was the second position, along a shoreline of the lake where aspens grow and there is a view toward higher peaks along the Sierra crest. Because this was a somewhat special color year, I particularly wanted to include the foreground trees with red and orange leaves.

This particular composition reveals more clearly that the others I have shared that there was wildfire smoke in the air. The distance peaks of the Sierra crest are far enough away to be somewhat muted by it and their coloration is affected by the brown smoke, too. On the previous evening, after a day of fairly good conditions, thick smoke from a fire on the west side of the range had drifted over the crest and then descended into the valleys. I was quite awful, and it wasn’t entirely gone the next morning, though the brighter light of the rising sun cut through it a bit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Eastern Sierra Lake

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Autumn Aspens, Eastern Sierra Lake
Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Autumn Aspens, Eastern Sierra Lake. © Copyright 2020 G Dan Mitchell – all rights reserved.

Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Along the same lines as another photograph I recently wrote about, this one is an alternate framing of a scene that I previously shared in a landscape mode photograph. (For folks unfamiliar with this terminology, “portrait” mode is taller than it is wide and “landscape” mode is wider than it is tall.) When I wrote about the decision to create two versions of such a scene I proposed two reasons for doing so. First, I cannot always say with certainty which formatting is better. Second, clients (especially in the publishing world) are often quite specific about which they need, so it makes sense to have both if possible.

There is another practical factor at work in this case, too. Before I went to this spot I had a fairly specific idea of the camera position I wanted to use and of how I wanted to incorporate the red foreground trees with the lake, the more distant colorful aspens, and the higher mountains. So I got their very early — early enough that I took a headlamp when I walked to this spot — and prepared to work from more or less the same spot as the light evolved. And it evolved a lot on this morning. Before sunrise there was abundant wildfire smoke floating around and the scene was quite muted and not what I hoped for. Initially I had decided to let the distant part of the scene go and instead focus on the closer portions less affected by the smoke, but as the sun came up it cut through some of the haze. All of this meant that as I worked from this fixed location, waiting for the right light to evolve, and I had plenty of time to try different camera orientations and other small modifications of the composition and framing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Morning

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Mono Morning
Morning light and hazy atmosphere above Mono Lake.

Mono Morning. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light and hazy atmosphere above Mono Lake.

Mono Lake is, of course, particularly known for the tufa formations found along its shoreline and in the close-in shallow waters. These remarkable features were formed underwater and revealed as the lake’s water level dropped. (By looking at the surrounding hills you can observe evidence of much higher prehistoric water levels. ) The lake also affords dramatic views of the steep eastern escarpment of the Sierra Nevada.

All of these things appeal to me, but they are not what I most associate with the place, namely its vast expanse of stillness and quiet. The scale of the Mono Basin dwarfs the peaks to the west, quite honestly, though you have to slow down a bit more before its stillness gets to you. I think I most like the morning hours, when the air is often still, and when the morning sun can make the atmosphere luminous.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.