This photograph comes from my second-to-last trip of the season to photograph migratory birds in California’s Central Valley. (See ya’ next year, geese!) Early in the season I try to time my visits for the best bird photography weather — a bit of morning fog, clearing later in the morning, and interesting clouds for sunset. But at this point, merely weeks before the geese would depart, I could not be as choosy!
Continue reading Stilts and Geese
Yes, this is a desert! We are back from our second recent visit to Death Valley. On the first we experienced cool temperatures and rain at the end of December. Since the prospects looked good for wildflowers in the months ahead we booked a late-February return visit. There’s always a lot to photograph in Death Valley but, as a friend pointed out, the stars of the show right now are the wildflowers and Lake Manly. I photographed both, but I’ll start with Lake Manly.
For those who may not know, Lake Manly forms in the Badwater Basin during exceptionally wet years. It was deeper and larger last year, but it is still there and covers a lot of the salt flats. We visited early in the morning this time. The clouds suppressed any brilliant sunrise colors, but as a counterpoint they produced beautiful patterns in the sky which were reflected in the waters of Lake Manly.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Death Valley National Park is full of popular and famous attractions that are quite accessible — Mesquite Dunes, Badwater, Zabriskie Point, to name a few. But there’s far more to this immense park than the popular spots. There are equally worthy things to see everywhere, including in some rather remote locations. This is one of those sights, and the odds are that you would be alone here if you were to visit.
The feature is an impressive tear-drop shaped “window” in a wall of rock that stands on the inside of a sharp bend in the canyon. Beyond, further canyon walls rise above the wash, and in the far distance we see the highest peaks of the Panamint Range, including 11,000’+ Telescope Peak.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
These sage-covered foothills are at an elevation of 8000′ and higher, but they are brown and dry, especially this late in the season. Technically this spot is part of the Sierra Nevada — it certainly seems so when you look at these peaks. However, it feels more like high desert than part of the mountain range.
The little grove of aspens grows in the bottom of the canyon that drains the nearby highlands. These trees were approaching their peak color, but with changing light I had to work quickly. Cloud shadows were moving across the landscape, and the shadow of the low hill at bottom right was starting to intrude on the colorful trees.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.