Tag Archives: snow

East Side Canyon, Autumn

East Side Canyon, Autumn
“East Side Canyon, Autumn” — An east-side Sierra canyon with autumn cottonwood and aspen trees below snow-dusted slopes.

Well, I thought that I had shared the last of this fall’s Sierra Nevada aspen photographs. But then I took another look at my raw files and decided that a few more were worth working up. This is one of a set of four in that group. It features one of the steep canyons that rise along the eastern escarpment of the Sierra. There is a row of cottonwood trees in the foreground and larger groves of autumn aspens far up the canyon.

You can’t tell from the photograph, but it was almost impossible to make pictures here doe to high winds. I had parked along a rough gravel road and was alternately making photographs and cowering behind my vehicle as gusts swept through. Between that wind storm and the snow that came in a few days later it was a tricky year for aspen photography in the Sierra.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Evening Light, Trees

Evening Light, Trees
“Evening Light, Trees” — Just before sunset, evening light slants across trees high in the Eastern Sierra.

In late July a group of us camped for two nights at a lake just east of the Sierra Nevada crest. The lake is at about 10,000′ of elevation, and peaks to the west tower almost 3000′ higher. That tall ridge (the Sierra crest) begins to block the direct light remarkably early, in some places an hour and a half or longer before actual sunset. To photograph the “late” light close to this ridge I had to start quite early!

I had a rough plan to start closer to the ridge and catch the last direct light there on this rocky rise, and to then work my way to the east, following that edge of the light. This was one of the first photographs I made, and you can see the alpine terrain beyond these trees growing in this rocky landscape..


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Afternoon Light

Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

After the Storm — Mt Dana and Mt. Gibbs

After the Storm: Mt Dana and Mt. Gibbs
“After the Storm: Mt Dana and Mt. Gibbs” — Mounts Dana and Gibbs in sunset light as a summer storm dissipates.

The best light often comes during or after photographically-challenging conditions. This view was no exception. It had rained for half of the day, hard at times, and I had been more or less pinned down, unable to do much photography. I watched and waited, ready to go, but it wasn’t until perhaps an hour before sunset that the rain finally stopped and it began to clear a bit.

I was camped just outside Yosemite’s eastern boundary, near Tioga Pass, so I quickly loaded up and went into the park. As I arrived in the Tuolumne Meadows area the clouds to the west were thinning and late-day light was staring to illuminate peaks, forest, and meadows, while the remaining clouds in the east made for a dramatic sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)