Tag Archives: snow

Photographs: Fall, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Afternoon Light

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Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

After the Storm — Mt Dana and Mt. Gibbs

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After the Storm: Mt Dana and Mt. Gibbs
“After the Storm: Mt Dana and Mt. Gibbs” — Mounts Dana and Gibbs in sunset light as a summer storm dissipates.

The best light often comes during or after photographically-challenging conditions. This view was no exception. It had rained for half of the day, hard at times, and I had been more or less pinned down, unable to do much photography. I watched and waited, ready to go, but it wasn’t until perhaps an hour before sunset that the rain finally stopped and it began to clear a bit.

I was camped just outside Yosemite’s eastern boundary, near Tioga Pass, so I quickly loaded up and went into the park. As I arrived in the Tuolumne Meadows area the clouds to the west were thinning and late-day light was staring to illuminate peaks, forest, and meadows, while the remaining clouds in the east made for a dramatic sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

After the Storm, Mt. Gibbs

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After the Storm, Mt. Gibbs
“After the Storm, Mt. Gibbs” — Evening light comes to Mt. Gibbs and Tuolumne Meadows as an afternoon storm clears.

I have learned that sometimes the light arrives when you don’t expect it. The day had unexpectedly turned stormy, and to my surprise it rained for hours, continuing past the time when Sierra afternoon thunderstorms typically dissipate. I wondered if it would clear at all, but I headed into the Tuolumne area anyway, thinking that I’d surely want to be there if the light did arrive. And it did! Right around sunset the clouds to the west thinned and beams of light played across the landscape.

One of the biggest surprises when I entered the park late on this afternoon was that a significant hail storm had apparently moved through earlier, dropping so much hail that from a distance it looked like fresh snowfall on Mt. Gibbs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Reflected First Light, Panamint Mountains

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Reflected First Light, Panamint Mountains
“Reflected First Light, Panamint Mountains” — Shallow salt flat water reflects the first light on the Panamint Mountains.

During my late-February visit to Death Valley National Park, I spent two early mornings photographing the Panamint Mountains in the first light, with the salt flats and shallow water in the foreground. The water is not the ephemeral “Lake Manly” phenomenon that we saw in 2024. This is a slow, shallow flow of water that seems to continue all year, regardless of conditions. It is just enough water to produce these reflections.

These days I photograph almost exclusively with a full frame digital system. (Sometimes I use a smaller APS-C system, often for my street and travel photography.) I usually use a pretty straightforward set of lenses that work well for my landscape photography, but occasionally I bring out an adapted medium format zoom lens and mount it using the Mirex tilt/shift adapter — yes, movements with a zoom lens! That was pretty useful for this photograph given the low light and the extreme distance between the foreground and the distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)