Tag Archives: snow

Last Light on Snow, Fog, and Granite

Last Light on Snow, Fog, and Granite
Last Light on Snow, Fog, and Granite

Last Light on Snow, Fog, and Granite. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Trees, fog, and snow on the granite summit of El Capitan glow in a final beam of sunset light.

Near the beginning of March I was in Yosemite Valley for three days in conjunction with the opening of the Yosemite Renaissance XXIX exhibit. (One of my photographs is in the show.) It was a wonderful weekend in many ways. Lots of artists of all sorts were there for the opening—and for Yosemite!—and I had the chance to get together with many friends among them. It was also a time of atmospheric conditions that were spectacular in ways that interest me as a photographer – broken light, occasional rain, mist and clouds.

On this evening we went to Tunnel View since it was mostly gray down in the Valley and because there was some promise of not only drifting clouds and mist there, but also of some late day light. All of those things happened, but as the end of the day approached, the “lights went out” as the clouds to the west thickened and blocked the setting sun. I continued to shoot for a while, mostly focusing a long lens on small distant details within the scene, but I finally decided that the light was simply becoming too flat and I walked back to the car to pack up, thinking about the friends I would soon join for dinner in the Valley. At the back of the car I removed the long lens, collapsed the tripod, and was packing everything away when Patty, who was sitting the front seat and facing the valley, exclaimed, “Look at that light!” Frankly, I wasn’t expecting much, but when I looked up I saw a blood red band of light stretching across the cliffs of El Capitan on the left and Sentinel Rocks on the right. Apparently the sun had found a narrow gap in the clouds almost exactly at the point it reached the horizon far to the west. I immediately knew that this light would be gone very quickly—at best it might last a minute or two—so I worked very quickly to set up the tripod, attach the camera, and stick a long lens on it… not even looking up at the view as I worked. No time to look! I quickly moved the camera to the nearest possible shooting location and, working almost entirely intuitively, quickly picked out perhaps four different shots, each focusing on the momentarily best bit of light as the scene evolved quickly. The final bit of light was a rapidly fading stripe just across the snow- and cloud-shrouded summit of El Capitan, where the upper rocks, snow, and trees picked up the intense red light for a matter of a few seconds, and then it was gone.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Wetlands, Dusk Sky

Geese, Wetlands, Dusk Sky
Geese, Wetlands, Dusk Sky

Geese, Wetlands, Dusk Sky. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Geese and colorful dusk sky reflected in wetland pond, San Joaquin Valley

This was close to the final photograph I made on my New Year’s Day visit to the San Joaquin Valley. Despite arriving back from the east coast the night before after 10:00 PM, I was determined be out in the valley at a wildlife refuge for the first day of the year. Up hours before dawn, I drove for two hours in the dark and arrived in dawn twilight to find a couple of my friends were already there. We photographed all morning, in light that changed from pre-dawn fog to morning mist to typical winter Central Valley haze, and then we took a break in the early afternoon to go into town and get something to eat.

By this time the light conditions were looking a bit less promising, as high clouds were blocking some of the light, and this combined with the haze to create some very murky conditions. I had more or less decided to call it a day and, in fact, my friends did decide to head back home. Late in the afternoon I was about to do the same thing, but I realized that my route would take me back past the refuge – so I might as well drop in there and see what was up on the way. It was not much more than an hour before sunset when I arrived and it was still quite murky. But I know that there is often a possibility that these conditions can turn colorful when the distant sky is lit but sunset colors. I worked my way around the area to find this very large flock of geese settling in for the evening and, sure enough, the sky lit up during the last few minutes of daylight and into the early evening.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Autumn Snow

Aspen Grove, Autumn Snow
Aspen Grove, Autumn Snow

Aspen Grove, Autumn Snow. Eastern Sierra Nevada, California. October 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Autumn snow blankets a grove of nearly bare aspen trees

We began this year’s main eastern Sierra “aspen chasing” trip on a day when an early season snow storm closed all of the passes that are not designated at being “all-season,” so Tioga, Sonora, and Ebbetts were all closed. Our best alternative was to cross on highway 88 over Carson Pass. Not that this is a bad thing! Carson features large stands of aspens on the west side of the pass and then the descent through aspen-filled Hope Valley on the east side. From there we headed down through Markleeville and up over Monitor Pass, which also has large aspen stands near its summit. After descending, we headed south on highway 395 toward Bishop, with light rain or snow falling all day – in my view, perfect conditions for autumn photography!

Along the way we made plenty of stops and a few side excursions to explore various side canyons, many of which I know fairly well from past visits. This photograph was made on one of those side roads, and this particular stand of aspen trees is one that I know very well. I’ve stopped here every year for some time now, in conditions ranging from almost fully green trees (too early!) to bare trees (too late!), and in sun and clouds and wind and snow. This time we found that the little grove was close to the highest elevation of the remaining colorful trees, so we stopped and I spent a little time photographing inside the grove… in lightly falling snow and a very cold wind.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Fly-In

Sunset Fly-In
Sunset Fly-In

Sunset Fly-In. San Joaquin Valley, California. January 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Ross’s Geese and Snow Geese settle in for the evening at California Central Valley wetlands

This is a sort of New Years post – the first 2014 photograph to share – but my “2013 Favorite Photographs” post is yet to come. Watch for it later today.

Last year a group of friends decided that we couldn’t imagine a better way to welcome the new year than to assemble along the edge of a San Joaquin Valley marsh before first light, listening to the raucous sound of thousands of geese and cranes, to watch the first dawn of the year through the inevitable Central Valley tule fog, and then to spend the day making photographs. This year several of us resolved to make this an annual tradition and, although not all who came last year could make it, we again assembled at the familiar spot early on New Years Day. (It was a double challenge for me, as I arrived in back California from New York City barely more than 5 hours before my alarm would go off for the drive to the valley. At least the time zone change was on my side, or so I tried to convince myself at 4:00 AM by repeating, “It is already 7:00 in New York!”)

I drove in to the refuge in earliest pre-dawn light and met my friends David and Charlotte, who had arrived a few minutes earlier and were photographing the fog drifting along the edge of the wetlands. We exchanged New Years greetings and listened to the wild sounds of geese and cranes coming from all directions, and then began the (pleasant) work of finding dawn photography locations. We photographed through the morning and then, perhaps because this was a New Years Day “photographers’ holiday” ended up spending an inordinate but very pleasant amount of time standing around talking as the midday light became less conducive to photography. I had decided that I would probably leave for home after the morning shoot, but I succumbed to the invitation to join Dave and Char for a quick lunch in a nearby town, and when we finished eating (and, yes, again, talking a lot ;-) it was late enough that I figured I would make one more pass through the wetlands. I wasn’t certain how the evening would play out photographically, since friends visiting the area the previous day had reported finding few geese and because high clouds seemed to be turning the sky a bit gray and murky. The first good omen was finding a very large group of geese in a pond close to an access road. I stopped here a bit more than a half hour before sunset to photograph the evening fly-in, selecting a location that would place any evening color opposite the geese. Before long the gray sky began to pick up some color and as the process continued more geese arrived. Then, a bit earlier than usual, one of the most impressive events of any evening in this valley occurred – the arrival of thousands of high-flying sandhill cranes, passing overhead and circling in the fading light. A few of them appear against the sky in this post-sunset photograph of the colorful sky, a flock of geese below a lone tree, and the reflecting surface of a flooded field. Soon there was no longer enough light to photograph, and I simply stood by the car and listened to the sound of the cranes and geese until it was time to go.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.