Tag Archives: spray

Storm Surf and Rocky Headlands

“Storm Surf and Rocky Headlands” — Late autumn storm surf and Big Sur headlands

When many people think of California they envision beautiful summer days at the beach, with warm temperatures, bright sunshine, and benign surf. Aside from the fact that it is more likely to be foggy than sunny on a summer day along much of the California coastline, that vision is limited and it misses the most impressive conditions along the coast, namely those found during the wet season extending from late autumn through the end of winter. At this time the coast is the most compelling and impressive, especially when giant Pacific storm fronts roll through and the surf can be large enough to be downright scary.

We had such conditions for a few days this December. Local newscasts warned people to stay away from the coast and off the beaches, since waves up to 40 feet high were expected. Smart Californians do stay off the beaches at times like this, but we certainly don’t stay away from the coast! I headed straight to the upper Big Sur coastline to make photographs. I’ve seen big surf here before, but as I walked out onto headlands above the rocky shoreline south of Carmel and the first big set of waves came in, I’m pretty sure I gasped audibly as they piled up on the shoreline. The biggest waves come in sets of perhaps a half dozen or so, and they raise mist and spray that lingers along the headlands until the next set of big waves arrives.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Klamath Coastline

Klamath Coastline
Mist and fog along the rugged Northern California shoreline near the Klamath River

Klamath Coastline. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mist and fog along the rugged Northern California shoreline near the Klamath River

On the final day of my recent photography trip to Redwood National and State Parks I spent the morning photographing at Prairie Creek Redwood State Park before packing up and starting my drive south. My plan was to split the long drive back to the San Francisco Bay Area into two parts. On this first day of the return trip I would head south through more redwood country, drop to the coast above Fort Bragg, and then spend the night there before heading home the next morning.

I left Prairie Creek – somewhat reluctantly, since it deserved more time — and heading south on highway one. If you have driven almost any part of this remarkable route you know that there are photographs everywhere, not just in the parks, so I planned to stop along the way to make photographs. The route often alternately rises to cross coastal bluffs and ridges and then drops right down to the shoreline. At or just below the high points I can often find panoramic views up and down the coast, and this was one of the first such views that I stopped for. The light was subdued — hence the decision to go with a monochrome rendition — but the atmosphere was remarkable, with the surf throwing up low mist clouds right along the shoreline and the remnants of fog muting the distant features.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Sunlight, Waterfall Spray

Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bridal Veil, Ice and Mist

Bridal Veil, Ice and Mist
Bridal Veil fall with winter ice and mist

Bridal Veil, Ice and Mist. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Bridal Veil fall with winter ice and mist

Many photographic subjects in Yosemite Valley are quite dependent on time of day, season, weather conditions, and other variables, some of which are completely beyond the photographer’s control. You simply must, first of all, be there, and then you must try to predict (or know) when the odds are better, be attentive to special conditions, and sometimes be ready to act quickly.

This is not exactly the rarest of conditions, but several pieces had to occur together to produce this scene. First, it had to be winter and it had to be cold — and the latter is less a certainty in California during the past few years. Second, despite the cold, it had to be warm enough somewhere up above to melt sufficient snow to get Bridal Veil Creek flowing at a pretty high rate for this time of year. Third, the light had to come over the lip of the canyon at the top of the wall to illuminate the rising mist but not the fall itself. Finally, if you look closely, you might notice three (somewhat blurry) ravens flying between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.