Tag Archives: steps

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Upper West Side

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Upper West Side
Steps leading to residences on the Upper West Side, Manhattan

Upper West Side. © Copyright 2022 G Dan Mitchell.

Steps leading to residences on the Upper West Side, Manhattan

Recently I’ve been sharing a steady stream of landscape photographs, most of which came from trips to photograph fall color on the east and west coasts. We were in the East twice in recent months, and both times took us to somewhat more rural areas of New England — southern Vermont in August and New Hampshire (and a bit more Vermont) in October. But both times we include some time in New York City. That lengthy introduction is all by way of warning you that there’s some Manhattan urban and street photography coming up!

I start gently with this photograph, one that you might even think of as a sort of “urban landscape.” We often stay at a place on the Upper West Side, a bit west of the Natural History Museum, since it is outside of the busiest parts of Manhattan, provides good subway access, and is closer to some folks in Northern Manhattan and the Bronx. We walk a lot while we’re there, and I photographed these steps in the neighborhood on one of those walks. The line-up of the steps intrigues me, but I also like the unusual palette of colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

No Parking

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No Parking
No Parking sign and colorfu paint on a San Francisco residence.

No Parking. © Copyright 2022 G Dan Mitchell.

No Parking sign and colorfu paint on a San Francisco residence.

There are lots of places offering similar visual opportunities in San Francisco, and they aren’t hard to find, especially if you get out and walk the City. And this is a very walkable city! I often walk almost all the way across between the CalTrain station and points north, following various favorite routes. This spot, if I recall correctly, is on a side street in roughly an area between North Beach and the tourist center known as Fisherman’s Wharf.

There are plenty of ways to photograph the sometimes-eclectic (and other times quite classic) architecture of this city. In terms of scale, I can go anywhere between including entire buildings (or even groups of them) and photographs that focus on very small elements — a door, a stairway, a bit of a window. In this one the colors, of course, were the main attraction. But I also was taken by the almost Cubist composition that resulted from cropping tightly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Architecture, Photographs: Structures and Objects

Concrete Steps

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Concrete Steps
“Concrete Steps” — Concrete steps with water stains.

The simple story behind this photograph is that the steps are located at a formal garden where we had gone to photograph tulips and other spring flowers in April. As I photograph those subjects I also had my eyes open for non-floral photographs, too — in fact, sometimes my favorites from such places are not the flower pictures. On one level, this is just a photograph of steps. It is up to you how far beyond that you want to go.

I’m thinking of an insightful Minor White quotation: “One does not photograph something simply for ‘what it is’, but ‘for what else it is.” You miss out if you look at a photograph merely as “what it is.” Sometimes the photographer intends the “what else” and hopes that the viewer sees it. But in many situations the photographer may not fully see what is in the image at the time of exposure, and only discover it later. Sometimes the viewer may find things that the photographer doesn’t recognize. I’m going to leave it to viewers to consider this photograph from that perspective.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Criminal Courts Building

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Criminal Courts Building
“Criminal Courts Building” — North Entrance, Criminal Courts Building, Manhattan.

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.