Nimitz Avenue at Night. Mare Island Naval Shipyard, California. March 7, 2009. © Copyright G Dan Mitchell – all rights reserved.
Night photograph of buildings and shipyard structures along Nimitz Avenue near the waterfront at Mare Island Naval Shipyard, Vallejo, California.
This is perhaps one of the “classic” Mare Island Naval Shipyard scenes, where the giant shipyard scaffolding crosses Nimitz Avenue from the shipyard buildings to the shoreline facilities, varieties of artificial light lend a warm glow to the view up the street, and faint star trails appear above in the dark sky.
I think that this is a good scene for first-time Mare Island night photographers to work with. It presents a lot of interesting challenges, but they can all be handled with some thought and care. You need to get the sky right – not too light and you want at least some star trails. I could have done a longer exposure since a bit more than three minutes left me with short star trails, though they weren’t my main subject. The dynamic range is absolutely huge, especially if you don’t take care to obstruct direct line of sight to some of the lights up the street. I had to look around quite a bit to find one small spot where the composition worked and the buildings and towers are positioned to block them. If you don’t block them you either completely blow out those highlights or else you must shorten the exposure to the point that the foreground roadway ends up almost completely black. The lighting also has to be just right on the structures at the top of the frame. On this night we were perhaps 3 or 4 days short of the full moon so a combination of moonlight and artificial light illuminated the structure. (A full moon might have been a bit better.) Then you need the right focal length to get the right parts of the scene into the frame. Here I used a 35mm prime on a full-frame DSLR and cropped the result a bit to eliminate some distractions along the right edge.
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
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