Tag Archives: stone

Window 15

Window 15
“Window 15” — A window in a stone wall in the Alfama, Lisbon.

This is another photograph from our stroll through Lisbon’s Alfama district — the oldest part of the city, and a place of narrow, twisting walkways and steep hills. It is also an area with a history of poverty. Here a window is open to reveal plants growing in pots.

I have a theory about a difference between dwellings in places like this and in American suburbia. In the US, where people may have front yards, a few trees, and possibly a single-family dwelling, they use that front space to present themselves — decorating, maintaining, and designing it with appearance in mind. In places like Alfama, the opportunities to do this area far more limited — and my notion is that perhaps more attention is spent on the interior space and that front exterior is often left as is.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Stairs, Parque de la Alameda

Stairs, Parque de la Alameda
“Stairs, Parque de la Alameda” — A person on stairs at th Parque de la Alameda, Santiago de Compostela

While visiting Santiago de Compostela this past spring we wandered a bit outside the confines of the central old town, including a visit to the Parque de la Alameda. The large park is easy to access and features everything from statues to groves of trees and (at least during our visit) a carnival. Its open spaces provided a pleasant break from the narrow and sometimes crowded streets of the old part of town.

Our walk began on a wide route passing beneath groves of large, old trees. Eventually we arrived at a sort of platform at the top of these old stairs, which lead to a lower terrace of gardens. While all of the forms in this scene would be quite “square” and angular if viewed from directly above, here the effects of a lower angle and looking downward distort that regularly in fascinating ways.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Alfama Steps

Alfama Steps
“Alfama Steps” — Cobblestone steps wind between buildings in the Alfama, Lisbon.

We wandered quite a bit during our May visit to Lisbon this year. (This was part of a 6-week trip that took us to Portugal, Spain, Belgium, and New York City.) When I write “wandered,” I mean this quite literally — we frequently head out with only the vaguest idea of what we’ll explore. In this case, we knew we were headed to the Alfama district, but beyond that we would wing it.

The Alfama is full of narrow, twisty, and often steep streets — just the sort of place to wander slowly. Roughly speaking we first crossed a section of the lower reaches of the district, and then we turned and began climbing. Along the way, we took many detours. If a side street looked interesting we went that way. I made this photograph in a quiet, out of the way area, where steps led uphill between the closely-spaced buildings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Woman in Sunshine

Womn in Sunshine
“Woman in Sunshine” — A woman looks upwards in the sunshine, Lisbon.

I made this photograph on our first foray in Lisbon during our visit this past May. If I recall correctly, after arriving late the previous night, we were up (and quite jet-lagged) and out the door to walk some of the surrounding streets. We joined the crowd and made our way down to the popular Praça do Comércio square.

I made this photograph quickly, since photographing such subjects happens in real time — there’s little opportunity to stop and carefully consider. There’s an element of serendipity in such photographs. The right person has to be in the right place and light at the right time, I have to be there, I have to look the right direction, and I have to react quickly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)