Tag Archives: storm

Morning, Fog, Surf

Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Storm Surf, Big Sur

Storm Surf, Big Sur
“Storm Surf, Big Sur” — Storm surf batters the Big Sur coast of California

The surf on this mid-December morning along the Big Sur coast was stupendous. The surf advisories spoke of 25′-40′ waves, and that seemed accurate. The biggest waves were so large that they broke over the tops of tall boulders and sea stacks, sending up huge columns of spray. Froth covered the ocean well beyond the wave line, and smart visitors stayed on headlands and off the beaches. 

The largest waves came in sets of perhaps a half dozen or more. Watching the surf you might be lulled into thinking, “It isn’t that big.” And then a very large wave would appear, sending up spray and mist, following in close succession by a series of building waves of impressive size, which arrived in the spray of the previous waves. I put a long lens on the camera and shot across this gigantic surf, focusing on an area full of rocks emerging from the surf and shooting almost straight in to the morning light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

. © Copyright 2018 G Dan Mitchell – all rights reserved.

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Storm Surf and Rocky Headlands

“Storm Surf and Rocky Headlands” — Late autumn storm surf and Big Sur headlands

When many people think of California they envision beautiful summer days at the beach, with warm temperatures, bright sunshine, and benign surf. Aside from the fact that it is more likely to be foggy than sunny on a summer day along much of the California coastline, that vision is limited and it misses the most impressive conditions along the coast, namely those found during the wet season extending from late autumn through the end of winter. At this time the coast is the most compelling and impressive, especially when giant Pacific storm fronts roll through and the surf can be large enough to be downright scary.

We had such conditions for a few days this December. Local newscasts warned people to stay away from the coast and off the beaches, since waves up to 40 feet high were expected. Smart Californians do stay off the beaches at times like this, but we certainly don’t stay away from the coast! I headed straight to the upper Big Sur coastline to make photographs. I’ve seen big surf here before, but as I walked out onto headlands above the rocky shoreline south of Carmel and the first big set of waves came in, I’m pretty sure I gasped audibly as they piled up on the shoreline. The biggest waves come in sets of perhaps a half dozen or so, and they raise mist and spray that lingers along the headlands until the next set of big waves arrives.


Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Slabs and Domes, Clearing Storm, Evening

Tuolumne Meadows in evening light as afternoon storm clouds begin to clear

Slabs and Domes, Clearing Storm, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Tuolumne Meadows in evening light as afternoon storm clouds begin to clear

This was an evening of dramatically evolving light, alternately brilliant and blah! Thunderstorm weather in the Sierra is such a tricky and transitory thing, and there are frequent swings from “meh” light to astonishing light. When the storm conditions are at their peak, the light can be very flat and “gray,” with little contrast — and it can be a challenge to find ways to make effective photographs. (Not impossible, mind you… just challenging!) But these conditions often bear the seeds of remarkable and dramatic light, especially as the storms begin to clear. Breaks in the cloud cover often send beams of light — frequently warm, saturated golden hour light — across parts of the landscape, and this light may highlight specific features against a backdrop of contrasting darker scenery and dramatic clouds.

These effects can appear (and disappear) quite quickly, and landscape photography in these conditions becomes anything but a leisurely and meditative process. In fact, it is more a matter of “photograph now or it will disappear!” In truth, things happen so quickly that they often disappear before there is time to set up a camera and make a photograph. The light on the foreground meadow and its protruding granite slabs and boulders came in at a low angle from the west, here more clearing was taking place. I was fortunate in that it not only highlighted the foreground formation but also lit up the more distant granite domes, which stand out against their darker surroundings.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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