Tag Archives: street

Tortaria

Tortaria
A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

Tortaria. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Xing School

Xing School
Street crossing marking on the roadway in Chinatown, Manhattan

Xing School. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street crossing marking on the roadway in Chinatown, Manhattan

I’m going to divert briefly from the Death Vally photographs today and return to a much different place, the urban world of New York City. I made this photograph about four years ago and only rediscovered it today. Sometimes as I work my way though files after returning from such a location I get interrupted by another project and occasionally I leave work unprocessed. I think that is what happened in this case, as this wasn’t the only photograph in the batch that I had overlooked. (I only went back to these images because I was looking for something to use as an example in a reply to someone’s technical question.)

The location is Manhattan’s Chinatown, and I’m pretty sure it is a section of my favorite street in this neighborhood. (I have a kind of informal project of photographing this East Coast location and its West Coast equivalent in San Francisco.) I did something a bit unusual with my post-processing interpretation of the image. I suspect that it may not be obvious to viewers, but I played with the color levels and actually diminished their intensity quite a bit — I think this provides a little different sense of the quality of this location.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alley, Arrow, Windows

Alley, Arrow, Windows
A directional arrow in a narrow alley outside of a windowed industrial building

Alley, Arrow, Windows. © Copyright 2018 G Dan Mitchell – all rights reserved.

A directional arrow in a narrow alley outside of a windowed industrial building

Night photography is, perhaps ironically, truly all about the light. There isn’t that much of it in most cases, so we resort to very long exposures (or perhaps very high ISO values) and we seek out places where there is just enough of it to make photographs. Night illumination is often from artificial sources, and frequently it comes at least partially from inside the subject rather than falling on its exterior. Subjects that may be mundane in normal daylight can take on new qualities in the light of the night — they may stand isolated from their backgrounds, take on unusual colors, and even become mysterious and moody.

This building is one of those subjects that glows from within. When I first saw it my initial idea was to get very close to some of the windows and simply photograph the interior of the empty building. For various reasons, ranging from practical to aesthetic, I gave up on that idea. Instead I stepped back a bit, included the windows and building interior, but also worked with the light spilling out into this alley, where a variety of patterns are produced on the pavement.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Los Banos Donuts

Los Banos Donuts
“Los Banos Donuts” — Los Banos Donuts shop at night

I can’t be certain, but there is a very good chance that this place was there back when I made my first trip to Yosemite decades ago as a child. I recall my Dad driving us over Pacheco Pass and down through green hills into the Central Valley. (This was before the San Luis Dam was constructed, though I think it was already approved or planned. Yes, I’ve been in California that long!) I know we passed through Los Banos, stopping in a park along the way for a picnic. I don’t know if we stopped for donuts on that trip, but I have stopped here a few times since then.

Every time I’ve passed through this town for the past few years, typically before dawn or well after sunset, I’ve noticed the place and made a mental note to stop and photograph it before dawn or after sunset, its big red DONUTS sign and glowing interior lights calling to us in the darkness. But since I was usually in a hurry to get somewhere — a destination to the east or else back home — I never stopped. Until this season. I finally pulled over and stopped briefly in a parking lot across the street and made a few exposures. I thought the pickup truck was an appropriate touch. (And, no, I did not stop for donuts. This time.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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