Tag Archives: sunlight

Badlands, Morning Light

Badlands, Morning Light
Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

Badlands, Morning Light. © Copyright 2022 G Dan Mitchell.

Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

This area of Death Valley attracts me on almost every visit to this desert landscape. Unlike many of the places I like to visit in the park, it isn’t in the “back of beyond,” and I often photograph here on a morning when I don’t want to travel too far, for example on the final morning of a visit. Like many badlands locations, this area provides an astonishing wealth of potential photographic subjects, and their appearance changes with the light.

In keeping with the usual practice, we visited early one morning on this trip, arriving in the area before sunrise so that we would be ready for the arrival of the first light. This morning sun can be intense, but a bit of high cloudiness softened the light a bit, and this made the colors a bit more visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote, Shadowed Dunes

Creosote, Shadowed Dunes
Creosote plant in sunlight, backed by shadowed sand dunes.

Creosote, Shadowed Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Creosote plant in sunlight, backed by shadowed sand dunes.

Sand dune landscapes provide all sorts of surprises. After seeing many photographs of impressive blowing sand and dust storms, you might think that is the norm — but most of the time the dunes are quiet and still. In the daytime there often doesn’t seem to be a lot going on in a visual sense. But go there at the earliest and latest moments of the day, and the light changes so quickly that it is almost impossible to keep up. Here there was only a brief moment when the soft light fell on the dune and the creosote plant and left the further dunes in soft, cool-toned light.

It is common to think of landscape photography as a slow and deliberate process. In fact, at times and with certain subjects it can be, and the photographer may have a lot of time to look and contemplate. But in this edge-of-day light things happen so quickly that photography can become a kind of action sport. The light does something “over there” for a brief moment, but when I look up something new is happening elsewhere. I turn my attention, quickly make a photograph or two, and right away some new combination of form and light emerges. And this whole dynamic show itself only lasts for a short time between midday bright (and often harsh) light and darkness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Big Sur Headlands, Autumn Light and Fog

Big Sur Headlands, Autumn Light and Fog
Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

Big Sur Headlands, Autumn Light and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning fog, brilliant autumn sunlight , and receding headlands along the rugged Big Sur coast.

This is a spot that I visit on virtually every trip to the Big Sur Coast. The place where I pull over and find this view is not a spot where you would likely consider stopping. The view is not really all that visible from the roadway, and I think I first found it by spotting the subject from another place and speculating about where I might need to go to find the angle I was looking for… and then successively trying a series of pull-outs until I found one that worked. I know — figuring out which wide spot on the road to use for my camera position sort of diminishes the romance of the whole thing!

But this view! There is a series of tall and steep headlands that fall directly to the Pacific Ocean here. Beyond there is a shallow bay, and then the coast curves back toward the ocean in the distance. The formation of the successive headlands is mirrored in a series of successive ridges running from the ocean back toward peaks. Of course, based on the photograph I made on this visit you will have to take some of this on faith since you cannot see it. Because the coastline here gradually heads further east as it goes south, by late morning the sun’s light reflects off the water, and when there is a bit of fog, as on this day, the effect is remarkable. The atmosphere truly glows, and it is almost too bright to look at. Since I have photographed this before, I’ll point out that that there are two features of this rendition that are a bit different. First, that glowing fog is unusual. Second, I decided to go with a bit broader composition here, and I included the sweep of the darker near ridge at the bottom of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Dome, Darkening Sky

Sandstone Dome, Darkening Sky
Sunlight on a sandstone dome against a backdrop of building monsoon clouds, Northern Arizona.

Sandstone Dome, Darkening Sky. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlight on a sandstone dome against a backdrop of building monsoon clouds, Northern Arizona.

Working on this photograph from Arizona, it occurred to me that my relationship with the state is a bit like my relationship to Utah was up until about a decade ago. (I had foolishly avoided photographing Utah, for reasons that I’ve explained elsewhere.) Aside from work-related travel to Arizona for conferences years ago, I’ve photographed there only twice — and each time for less than (!) a single day. On this visit I photographed as we drove straight through the northern part of the state between the Moab area and Zion National Park. (The other visit was a spontaneous drive from Kanab to the North Rim of the Grand Canyon one afternoon — it resulted in a 15-20 minute visit to the rim as darkness fell. Then I turned around and drove back to Kanab. Seriously.)

As I continued my pandemic project of revisiting raw files from prior years this week, I came upon the photographs from that one-day drive across the northern part of the state. I’m struck now by what a remarkable landscape it is and by how much of it I missed. It was a spectacular day, with thunderstorms sweeping across the landscape, interspersed with clearing skies. Although I’m no longer certain precisely where I made this photograph, its sunlit dome and darkening sky is emblematic of that day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.