Tag Archives: sunrise

First Light, North Peak

First Light, North Peak
“First Light, North Peak” — First morning light of the summit of North Peak on the Sierra Crest, feflected in a subalpine pond.

By now the story of this pack trip is perhaps becoming familiar… but there are still more photos! I went on a mid-July backpacking trip into the Eastern Sierra with a group of longtime backcountry friends… plus a few new friends. We camped at a lake near this spot for a couple of nights before moving on. The photograph includes a peak that was visible from my campsite, and the camera position is perhaps a one minute walk away.

Many years ago I would not have taken a trip like this one. Back then I wanted to cover the miles! But this time we only hiked two (!) miles the first day, and we stayed at our first camping location for two nights. These days, when wilderness photography is usually the main goal of these trips, being in one place for several mornings and evenings gives me time to thoroughly explore the photographic opportunities.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Three Trees, Sunrise

Three Trees, Sunrise
“Three Trees, Sunrise” — Three trees at Tuolumne Meadows in hazy sunrise light.

During the first half of September I spent a few days camping and photographing in the Tuolumne Meadows area. On two of those day I wandered into Tuolumne Meadows before sunrise. There was fog one day — not the one in this photograph — and haze from wildfire smoke on both. Here the trees, being close to the camera, have some intense color from the sunrise light, while the haze mutes the distant landscape and shifts its colors.

Some amount of wildfire smoke seems to come with the terrify in September and October in the Sierra, at least until a first good storm arrives. At its worst, the smoke can be thick enough to be unhealthy and to make photography a challenge. But much of the time it can lend an interesting muted color to everything, as it does here.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

First Light — Tufa, Clouds, Mountains

First Light — Tufa, Clouds, Mountains
“First Light — Tufa, Clouds, Mountains” — The first dawn light on Mono Lake tufa towers, with desert mountains and morning ing clouds in the distance.

The landscape of Mono Lake and Mono Basin seems reduced to essentials: rocks, mountains, water, sky, light. And all of this is in a place of uncommon quiet and immense space — it is difficult to truly comprehend the scale of the basin. These qualities seem especially strong if you come down from the peaks and intimate landscapes of the nearby Sierra Nevada.

I was out there early on this July morning — having literally “come down” from those peaks near the Sierra crest in predawn darkness. Rather than getting close to the famous tufa formations, my goal was to photograph the lake and its surroundings from a distance, using long lenses to bring together some of the close features and distant elements of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Tufa, Island, Distant Mountains

Tufa, Island, Distant Mountains
“Tufa, Island, Distant Mountains” — Shoreline tufa formations, an island, and distant mountains, Mono Lake.

This view looks roughly north across the expanse of Mono Lake and Mono Basin. The foreground formations are tufa towers, exposed as the lake’s level dropped decades ago when Los Angeles began taking the water from feeder streams. The main body of the lake lies beyond the tufa. What appears to be the far shoreline is actually Paoha Island, a volcanic feature. In the far distance are desert mountains of the basin and range country.

I knew some history about the fights over Mono Lake’s water, but I learned something new on this visit. A few decades ago Los Angeles Water and Power bought out water rights up and down the Eastern Sierra, drastically changing the environment — and in places turning former lakes into dusty wastelands. This taking dropped the level of Mono Lake by many feet (it was too late for Tule Lake in Owen’s Valley) until court orders and regulations forced an agreement that LA would begin to protect the watershed, with a goal of eventually restoring the lake to a level closer to its historic level. I thought that serious progress had been made… but decades later the lake’s level is still dangerously low.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)