Tag Archives: sunset

Basin and Range, Monsoon Clouds

Basin and Range, Monsoon Clouds
Basin and Range, Monsoon Clouds

Basin and Range, Monsoon Clouds. Between Winnemucca and Elko, Nevada. July 30, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening monsoon thunderstorms dissipate above the basin and range terrain of Nevada

This simple photograph necessarily leads to a long story. It starts many, many years ago when I was a child. My family moved to California from Minnesota when I was four years old, and every few years we took a long trip back to the Midwest to visit my mother’s family in Sioux Falls, South Dakota. (Although I have not been there for some years now, I still have fond feelings for the place.) Sometimes we drove, with my parents figuring out routes that would take us through national parks and monuments — Yellowstone, Rocky Mountain, etc — along the way. Several times we took the train, which in those days was the famous California Zephyr. We would get on the train in Fremont, California and travel all the way to Omaha, Nebraska, arriving very early in the morning and then getting to South Dakota by (usually) rental car or (occasionally) a plane. To a young kid, the California Zephyr was an amazing thing — somehow we got “Pullman” sleeper cars, ate in the dining car, and — if my memory is correct — passed hours in the vista dome car watching the terrain roll by.

Jump forward to the new millennium. Patty’s brother and sister-in-law, and two of our sons and their girlfriends live in Brooklyn, so we find excuses to go to New York City every year or so. This time we went not only to visit family, but also so that Patty could attend the International Double Reed Society conference at NYU. We’ve flown plenty of times, so this time we decided to give the train a try. (We did fly back home at the end of the trip — a good choice in my view.) So on this last day of July we went up to Emeryville, where the Zephyr’s trip starts these days, and embarked on our adventure, nostalgic for me and brand new for Patty. There is much more to say about train travel than I have space for here, but I’ll share just a bit about the first day. The route begins along the shores of the San Francisco Bay and then up the delta to Sacramento, the historic end point of the continental railroad. From there the train crosses the Sierra above Truckee Lake, an absolutely beautiful route that often reveals perspectives on this part of the Sierra that are quite different from what we know from driving Interstate 80. As we crossed the crest, the clouds thickened and we rolled through a hail storm as we descended to Truckee. Not long after that we stopped briefly in Reno, Nevada, and then continued on to the northeast across Nevada. After we passed through Winnemucca (from which I departed some years ago on a grand bike trip across the Black Rock Desert and into Northern California) the train continued on through the Humboldt Basin as evening came on and beautiful light fell on the rangeland and the monsoon clouds overhead as the day came to an end.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cove, Haze, Evening Light

Cove, Haze, Evening Light
Cove, Haze, Evening Light

Cove, Haze, Evening Light. Big Sur Coast, California. July 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Hazy sunset light on a small cove and successive ridges along the Pacific Coast Highway

The California Big Sur coast along the Pacific Coast Highway is a place of extraordinary beauty, but also light and conditions that change on a scale ranging from daily to seasonally. Summer often brings a lot of fog — enough fog to sometimes perplex and disappoint visitors who have seen photographs of beautiful summer vistas and imagine that they are the norm. They aren’t. Summer is the season of almost daily fog here. Fall and winter are more likely to provide those vistas, especially between the passage of great Pacific storms that sweep the atmosphere clear of fog and which may bring dramatic clouds. The “off-season” is also the time of the most impressive seascape, as those same winter storms can bring very high surf.

The foggy time of summer does have its attractions, especially when you become aware of the daily cycles. It is often foggy early in the morning, but the fog usually clears back to and beyond the coast later in the day. Photographing in the fog is special, though it can require you to look at the landscape in quite different ways. But as the fog clears you can follow the edges of the fog and light and discover all sorts of interesting and dynamic conditions. Once the fog does clear, the atmosphere often remains somewhat hazy. I know that some people think they want perfectly clear air, but I’ll take a bit of atmospheric haze over perfect clarity almost any day! This was a day of such haze, and very late in the day it began to glow in golden hour light and obscure the farthest parts of the seemingly unending series of Big Sur ridges dropping to the sea.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Dusk, Pacific Ocean

Winter Dusk, Pacific Ocean
Winter Dusk, Pacific Ocean

Winter Dusk, Pacific Ocean. Golden Gate, Marin Headlands, California.January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter dusk light on the Pacific Ocean near the Marin Headlands

This is a photograph from all the way back in January, when we had driven north across the Golden Gate with no particular plan in mind, but perhaps thought about making some photographs. We had been in San Francisco for some other purpose, had some time, and figured we use it by crossing the bridge. By the time we ended up north of the bay, we discovered that the day was going to end very soon, and that we would run out of light. Yes, we were not really prepared! We quickly got back to the car and headed to a familiar iconic location, the Conzelman Road area of the Marin Headlands, from which panoramic views of the entrance to San Francisco Bay are available.

When we arrived I was initially not very excited about the photograph potential. I know this probably sounds odd to some who have longed to see that view back toward San Francisco, or who have perhaps only seen it once or twice. But I pass this way fairly often, and after a while the novelty of a typical day here wears off and I begin holding out for more special conditions. So where we stopped I did not initially take out my camera gear — instead I simply played tourist and enjoyed the spectacular scene. However, as I looked at it I began to notice a few things that seemed interesting. At first there were some light beams coming across the dark land at the lower left, though they are no longer really visible in the photograph. They I began to notice the turbulent patterns on the surface of the water passing through the Golden Gate as the tide turned. And then I could see that there was going to be some interesting color in the winter sky above the ocean. So, in the end, I did get the camera out to make a few photographs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red, White, and Blue Hour

Red, White, and Blue Hour
Red, White, and Blue Hour

Red, White, and Blue Hour. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last red sunset light falls on a forested ridge in front of snow topped Half Dome in blue dusk light

This past winter I was in Yosemite Valley for a few days for the opening of the Yosemite Renaissance Exhibit, and I had many opportunities to head out and photograph the Valley in beautiful foggy, cloudy conditions, with a bit of snow still remaining from earlier storms. (I also had a great time meeting up with plenty of other friends and photographers who were also there for this event and a simultaneous film festival.)

Sometimes I know what I want to photograph in the Valley, and I simply to look for that thing, often knowing exactly where to go find it. But in conditions such as those of this weekend, which included a lot of clouds and changing light, sometimes it was impossible to know for sure what the conditions were going to do. See fog developing? Head for a high place or a meadow. Possibility of sunset color? Perhaps one of the well-known Valley views. Clouds swirling around the upper ridges? Get out a long lens and shoot from innumerable locations. Soft sunlight? Perhaps time to photograph trees and granite. On this evening a number of us ended up at that most iconic of iconic Yosemite locations, Tunnel View. For the last few years, I’ve been playing a slightly different game at Tunnel View when I end up there, often shooting with very long focal lengths and trying to pick out small bits and pieces of the larger scene. I had been doing that and had pretty much wrapped up for the evening, since the light seemed to be dying behind clouds to the west, and in fact I was loading equipment into the car when my wife said, more or less, “Look at that!” A band of intensely red end-of-sunset light had found its way through a gap in the clouds to the west and suddenly cast an intense glow across this ridge standing between me and Half Dome. So we have red (of sun on ridge), white (of snow) and blue (of the blue hour light on Half Dome and the clouds above).

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.