Tag Archives: tall

Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Grove, Humboldt Redwoods

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Redwood Grove, Humboldt Redwoods
A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

Redwood Grove, Humboldt Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of old- and new-growh coast redwoods, Humboldt Redwoods State Park.

When photographing new locations, there is a tension between knowing enough and knowing too much ahead of time. In most cases, some preparatory research about a place is useful — it lets you find your way to (and back from!) interesting locations, and it alerts you to their existence. On the other hand, knowing too much about a place limits opportunities to experience the feeling of “discovering” something unexpected. When we arrived at this grove near the end of an exploratory loop to the far Northern California coast, the unexpected stillness and quiet of this magnificent grove was magical.

Another tension concerns the best way(s) to interpret coast redwood forests in photographs. For me, the path usually lies somewhere between the (hopeless and uninteresting) idea of “capturing” supposed objective reality and fascinating and extravagantly subjective and even fantastical interpretations that may be problematic. I don’t think that there is a right answer, but extreme cases raise important questions. On this visit I focused on carefully considering what I see without the camera — how cool/warm the light appears in these places, how much detail can I really see, how much light is really in the scene. These observations inform how I render these subjects — and my thinking about the boundaries between what was there, how the camera “saw” it, and how I want you to see it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Aspens, Autumn

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Tall Aspens, Autumn
A grove of tall aspen trees with autumn foliage in the Eastern Sierra Nevada.

Tall Aspens, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A grove of tall aspen trees with autumn foliage in the Eastern Sierra Nevada.

Before I posted this photograph I shared another one that focused on a grove of small, slender aspen trees. In the accompanying text I pointed out that such groves tend to be typical of the Sierra, but that groves of tall, thick trees like those seen in other western locations do occur occasionally. This is one of those groves. The trees here grow in the middle of a rather large grove of aspens, in a valley that I suspect must be both sheltered and well-watered. Although many nearby trees are, indeed, of the more modest and sometimes twisted type, in the middle of this grove there are many like these, tall, straight, and with thick trunks.

I photographed these a bit before their peak color. Typically those smaller trees tend to change first, and the larger trees that grow in more sheltered locations may achieve best color a week or more later. This group grows on a gentle slope, and face a lookout where I was able to set up my camera with a long lens, and then spend some time simply looking for compositions within the span of the larger grove.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Trees, Early Color

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Tall Trees, Early Color
Tall aspen trees begin to take on fall colors, Eastern Sierra Nevada.

Tall Trees, Early Color. © Copyright 2020 G Dan Mitchell – all rights reserved.

Tall aspen trees begin to take on fall colors, Eastern Sierra Nevada.

Previously I shared a different view of this grove of aspens. (More on that below.) It is part of a large grove in the Eastern Sierra that is easily accessible. As a matter of fact, I photographed it from a spot just a few feet off of a roadway. Here a large expanse of trees rises from the bottom of a valley, working its way up talus slopes toward higher peaks. Because virtually the entire grove is open to view and spread out before me, I often use a long lens to pick out small compositions from within the larger totality. This photograph focuses on a group of tall, thick, mature trees.

About that “different view” that I mentioned above — the previous version was in portrait (vertical) format while this one is obviously presented in landscape view. If you imagine that there is one “best” way to depict a subject, the choice to share both might suggest a lack of clarity on the part of the photographer. Obviously, I feel differently. I do not think there is one right or even best way to frame or format a subject, and I believe that there are multiple ways to look at it. Beyond that there is a practical value to seeing such a subject in more than one way, as anyone who has worked with photography clients understands. In the end, I actually like both ways of seeing this grove.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest Scene

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Forest Scene
The trunks of tall conifers trees in afternoon light

Forest Scene. © Copyright 2018 G Dan Mitchell – all rights reserved.

The trunks of tall conifers trees in afternoon light

I had initially stopped near these trees to photograph an entirely different subject in the opposite direction, behind my position as I made this photograph. I spent a good deal of time on that other subject, but in the end it didn’t (at least not as of this date) end up seeming to “work” quite the way I envisioned. As I finished I saw this row of strong, side-lit tree trunks and thought it might make a photograph. Ironically, I almost didn’t both — at first the light wasn’t remarkable, and I knew that I had photographed similar subjects in the past with success. I wasn’t sure that this version was going to work.

But, this being a cloudy day in the Valley, the variable light began to play on the trees, alternately lighting them and putting them in shade. At the same time, the variability extended to the complex pattern of more distant forest. I’m always intrigued by the challenge of making a workable composition out of very complex and “busy” subjects, and here the momentary light makes all the difference. (And, yes, I do seem to be in a bit of a “black and white mood” with some recent photographs. Maybe this is to balance out some of the other highly colorful images.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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