Tag Archives: tall

Tall Trees, Early Color

Tall Trees, Early Color
Tall aspen trees begin to take on fall colors, Eastern Sierra Nevada.

Tall Trees, Early Color. © Copyright 2020 G Dan Mitchell – all rights reserved.

Tall aspen trees begin to take on fall colors, Eastern Sierra Nevada.

Previously I shared a different view of this grove of aspens. (More on that below.) It is part of a large grove in the Eastern Sierra that is easily accessible. As a matter of fact, I photographed it from a spot just a few feet off of a roadway. Here a large expanse of trees rises from the bottom of a valley, working its way up talus slopes toward higher peaks. Because virtually the entire grove is open to view and spread out before me, I often use a long lens to pick out small compositions from within the larger totality. This photograph focuses on a group of tall, thick, mature trees.

About that “different view” that I mentioned above — the previous version was in portrait (vertical) format while this one is obviously presented in landscape view. If you imagine that there is one “best” way to depict a subject, the choice to share both might suggest a lack of clarity on the part of the photographer. Obviously, I feel differently. I do not think there is one right or even best way to frame or format a subject, and I believe that there are multiple ways to look at it. Beyond that there is a practical value to seeing such a subject in more than one way, as anyone who has worked with photography clients understands. In the end, I actually like both ways of seeing this grove.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Forest Scene

Forest Scene
The trunks of tall conifers trees in afternoon light

Forest Scene. © Copyright 2018 G Dan Mitchell – all rights reserved.

The trunks of tall conifers trees in afternoon light

I had initially stopped near these trees to photograph an entirely different subject in the opposite direction, behind my position as I made this photograph. I spent a good deal of time on that other subject, but in the end it didn’t (at least not as of this date) end up seeming to “work” quite the way I envisioned. As I finished I saw this row of strong, side-lit tree trunks and thought it might make a photograph. Ironically, I almost didn’t both — at first the light wasn’t remarkable, and I knew that I had photographed similar subjects in the past with success. I wasn’t sure that this version was going to work.

But, this being a cloudy day in the Valley, the variable light began to play on the trees, alternately lighting them and putting them in shade. At the same time, the variability extended to the complex pattern of more distant forest. I’m always intrigued by the challenge of making a workable composition out of very complex and “busy” subjects, and here the momentary light makes all the difference. (And, yes, I do seem to be in a bit of a “black and white mood” with some recent photographs. Maybe this is to balance out some of the other highly colorful images.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tall Aspen Trees, Autumn

Tall Aspen Trees, Autumn
A grove of tall aspen trees at peak autumn color, Eastern Sierra Nevada

Tall Aspen Trees, Autumn. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of tall aspen trees at peak autumn color, Eastern Sierra Nevada

“The color isn’t very good this year,” someone said. “The color is changing late,” said someone else. “It changed to early,” said another. “The trees are still all green,” according to one observer. “Too many trees are bare already,” lamented one photographer. “The early snow turned lots of leaves black,” someone wrote. “It isn’t as good as it used to be,” reported another. After watching quite a few fall color seasons in the Sierra, I have observed that seasons do seem to have a bit of a personality. I’ve also heard (and spoken!) some generalizations about the development of color every year. It finally occurred to me this season that I often hear some variation on the same comments almost every season! Someone reports early color — or that it isn’t starting on schedule. Someone reports that the colors are better — or worse — that usual. But, aside from some differences likely attributable to weather variations, both long-term and short-term, over time things do seem to play out it fairly similar ways each year.

This year I spent — so far — about six days in the Sierra during fall color season. I feel like I pretty much hit the peak color over the past few days, with good color remaining at higher elevations and starting at the lower levels. If you haven’t gone yet and can get away in the next few days, I’m confident that you’ll be able to find some great eastern Sierra color, too. You will find a few groves have lost their leaves, but you’ll also find some in peak condition and probably even a few trees that are still green. I made this photograph on a very cold autumn morning — made a bit colder due to a miscalculation on an ice-coated rock while trying to cross a stream! — in a location where the morning sun had not yet cleared the top of a nearby tall ridge. The trees were picking up some soft reflected light that opened up the shadows and revealed details and colors that would not be a visible later on when the trees were in full sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Building, Reflections

Building, Reflections
Portions of downtown San Francisco reflected in the windows of a tall building

Building, Reflections. San Francisco, California. February 3, 3017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Portions of downtown San Francisco reflected in the windows of a tall building

This is an urban landscape photograph — while the subject is quite different from natural landscapes, I think of it is ways that are at least partially similar. Superficially, the urban world of towers and canyons presents some possibilities that are related to the mountains and valleys that I photograph in the non-urban world; I think about light and form in similar ways; and the ways I view each type of landscape can’t help but inform how I view the other.

It was only a few years ago when I understood something that intrigues me about glass-covered buildings like this one. (Yes, I’m slow sometimes…) We feel like we are looking at a building in a photograph like this, but a good part of what we actually see is not the building at all, but its form made visible by means of reflections of its surroundings, including other buildings and the sky. Here some skeletal forms help define its shape, perhaps more so than with some other buildings, but between those elements the windows themselves mostly reflect things that are not the building itself


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.