Tag Archives: terrain

Desert Mountains, Evening Shadows

Desert Mountains, Evening Shadows
Patterns of rock, evening light, and shadows in rugged desert mountain terrain

Desert Mountains, Evening Shadows. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Patterns of rock, evening light, and shadows in rugged desert mountain terrain

In places along the eastern edge of Death Valley, the color of soils and rocks varies tremendously. In the daytime light the colors are perhaps subtle — tans, reddish, gold, black, and more — but in the early and late (especially, on this side of the valley) light the colors intensify and become more saturated.

After I finished photographing more expansive views taking in the width and length of the portion of the Valley and including the base of the Panamint Mountains, I headed over along this other side of the valley where the final light falls. This scene holds some of the range of rock color, along with the rugged landscape of overlapping hills and gullies.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Strata and Folds, Evening

Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands, Evening

Badlands, Evening
Evening light on deeply eroded terrain, Death Valley National Park

Badlands, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on deeply eroded terrain, Death Valley National Park

Early each spring I head back to Death Valley for several days of exploration and photography. In March of 2015 I began my trip with a visit to Los Angeles, from which I departed and drove to the park to set up my camp. My typical ritual is to arrive in the early afternoon, find a campsite, get set up and settled in, wait for early evening, and then head out for my first photography in this vast landscape.

I began by heading to an area of the Valley with expansive views across to the Panamint Mountains, backlit by the early evening sun. I photographed them through a moody haze from an elevated spot that I often go to. Before long the light on these mountains faded as the sun dropped behind them, and my attention turned to nearer formations on my side of the valley, which were now being illuminated by the warm evening light. The low angle delineated the complex structures of these badlands during the last few minutes of light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Escarpment, Clearing Autumn Storm

Eastern Escarpment, Clearing Autumn Storm
An early season autumn leaves a dusting of snow atop Wheeler Ridge, Eastern Sierra Nevada

Eastern Escarpment, Clearing Autumn Storm. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An early season autumn leaves a dusting of snow atop Wheeler Ridge, Eastern Sierra Nevada

This long ridge in the Eastern Sierra just north of the town of Bishop has long fascinated me, though for the most part I’ve only looked at it from a distance. (Or from the other side, as there is access via along valley to the west, but that’s a story for another post.) At first I was mostly aware of this steep section of the eastern escarpment of the range when it served as a spectacular backdrop for views of the pastureland and cottonwood trees of Round Valley. But with increased familiarity with the area and opportunities to view if from many directions and distances, I began to note what a tremendously rugged and daunting bit of terrain it is. In many ways, if you ignore the scant vegetation on its slopes, it looks more like the mountains of the desert, even reminding me a bit of places in Death Valley, though with more granite-like rock. Unlike many other Eastern Sierra locations, there is little (no?) evidence of glaciation, but plentiful evidence of erosion from water, including the classic alluvial fan spreading from the steep valley between the low hills in the foreground.

Despite the lack of glacial evidence, the scene presents many other classic components of the eastern face of the range in Autumn. Although it is small against the tremendous landscape, there is an aspen grove and a bit of summer-brown grass near the lower left. The main rocks seem to be the granite that we expect to see in the Sierra. The rocks are lit by filtered sunlight from the southeast. And the cloud drifting in front of the rugged face is the remnant of a passing storm that has dusted the highest peaks with a bit of early season snow, promising that winter cannot be far off.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.