Tag Archives: texture

Sand Dunes, First Light

Sand Dunes, First Light
The first morning light reveals textures in sand dunes, Death Valley National Park

Sand Dunes, First Light. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first morning light reveals textures in sand dunes, Death Valley National Park

These dunes, and others like them, are both more ephemeral and more permanent that many may expect. The permanence initially surprised me. I had always imagined the peaks of dunes marching gradually across the landscape like slow motion ocean waves, producing a landscape that would never be the same twice. However, observing certain dunes in Death Valley National Park over a period of time made it clear that the broad features of the dunes are actually very nearly permanent. From year to year the overall form of the dunes remains largely the same — no surprise, perhaps, given that the forces that form them are constant, including the prevailing winds and surrounding geological features. Yet, other things are more ephemeral. Plants come and go, and footprints are erased by the next dust storm. The light is constantly changing, through the daily cycles and the annual cycle.

This was the final morning of this trip to Death Valley. Since dust storms (and rain!) had passed through the previous evening I was certain that I could find areas unmarked by footprints, where the natural patterns produced by wind would be found. I drove to a less popular area near the dunes, loaded up my equipment, and set out across the playa to get to the low dunes I had in mind. I arrived in soft pre-dawn light and began to photograph, trying to work with this subtle light and its extraordinarily low contrast, all the while watching the sky to the east to see when sunlight would strike the dunes. I composed this photograph in that soft light, but as I worked the sun cleared the mountains far to the east and warmer colored light began to more clearly show the sand patterns. I made this photograph during the very brief interval — literally only seconds — when that first light began to softly light the sand and before it struck with full intensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lamp, Shadow

Lamp, Shadow
A lamp casts a shadow across a textured wall, Salzburg, Austria

Lamp, Shadow. Salzburg, Austria. July 17, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lamp casts a shadow across a textured wall, Salzburg, Austria

This is another take on the ubiquitous Salzburg lamps found attached to the walls of many buildings. In the afternoon the light passes right across the textured surface of this wall, producing shadow that is much longer than the lamp itself.

I don’t know what the actual story is regarding these lamps, but once I recognized them I started seeing them all over the place around Salzburg, attached to the walls of various buildings  and braced by a pair of curving metal pieces. In many places their locations seemed almost haphazard to me.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Small Tree, Granite, Morning Sun

Small Tree, Granite, Morning Sun
Small Tree, Granite, Morning Sun

Small Tree, Granite, Morning Sun. Yosemite National Park, California. September 9, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A small pine finds a foothold in a small crack on an immense glacier-sculpted granite slab, Yosemite National Park

This photograph is connected to quite a few others that I have posted recently, and in multiple ways. One of the subjects that I focused on during our time photographing at this Yosemite backcountry location was the many small trees growing tenuously in small cracks and pockets in this large bowl of granite and among nearby granite slabs. It seems almost a rule that in the natural world something will manage to find a way to grow in almost any location where growth is remotely possible. These trees certainly seem to illustrate that idea, as they sometimes seem to have nothing more than a thin crack in otherwise solid granite in which to put down roots. This one grows part way up the incline of a sloping bowl that faces west, so the morning light doesn’t arrive until rather late. I photographed as the line of sunlight worked its way across the tree and toward the textured slabs beyond.

I have heard a photographer friend humorously refer to photographs like this as “brave little tree” shots. It certainly is a popular concept. While I often like to think that photographs may speak simply as images whose components of light and texture and shape and color evoke an emotional response, it doesn’t escape my notice that photographs also, partially through the expectation that photographs contain true images of things, may also resonate in other ways — and that a “brave little tree” may evoke connections to other “brave little” things and ideas, and that these associations may be personal and specific to each viewer.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Story in Red Rock

A Story in Red Rock
A Story in Red Rock

A Story in Red Rock. Utah. October 23, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Broken rocks spread across a layer of sandstone in evening light

This is another photograph from my first evening on this trip in this particular part of Utah, from a day when I had met up with friends and traveled out to find a campsite where we would stay for the next few days — our base camp for exploring red rock and canyons and for sharing meals and conversation. After setting up camp and settling in, we headed out for our first evening of photography, and would up in a nearby landscape of sculpted sandstone.

We began shooting mostly together, finding and exploring some obvious and quite impressive subjects — each working on his or her own photographs but staying mostly in a group. Eventually we began to split up and wander off to do our own individual exploration. Later in the evening I ended up in an area of massive sandstone benches and ridges and potholes, and as the dusk came on and the light turned red/burgundy I was above a small sandstone canyon descending toward the sagebrush country below. This is a simple scene, but I like to think about a few secrets that it may reveal. It is easy to see such landscapes as being static, but the fact is that they are always changing, though mostly on a time scale that is much longer than that of our lives. But occasionally there are obvious clues, and here the clearest is the scattering of fractured rock that has failed from the seemingly solid face in the upper part of the scene, a hint about how it came to be that the lower flat surface runs into the upper wall.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.